Toru Takemitsu, 尾高忠明, NHK Symphony Orchestra's ' "弦楽オーケストラのための「3つの映画音楽」(武満徹) 「他人の顔」 ワルツ" was released on its scheduled release date, July 20, 2022. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. 弦楽オーケストラのための「3つの映画音楽」(武満徹) 「他人の顔」 ワルツ's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 波の盆 武満徹 映像音楽集, so we believe that "弦楽オーケストラのための「3つの映画音楽」(武満徹) 「他人の顔」 ワルツ" is a single. Based on our statistics, 弦楽オーケストラのための「3つの映画音楽」(武満徹) 「他人の顔」 ワルツ's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 弦楽オーケストラのための「3つの映画音楽」(武満徹) 「他人の顔」 ワルツ by Toru Takemitsu, 尾高忠明, NHK Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| And Birds Are Still . . ., Op. 72 | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata | G Major | 1 | 9B | 75 BPM | ||
| Orientale | César Cui, Yehuda Hanani, Eliot Fisk | G Minor | 0 | 6A | 171 BPM | ||
| Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | ||
| Umi e (Toward the Sea): III - Cape Cod | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | A♭ Major | 0 | 4B | 73 BPM | ||
| Impromptu-Caprice, Op. 9 | Gabriel Pierné, Ellen Bødtker | A♭ Major | 2 | 4B | 94 BPM | ||
| Duo Concertant, K054: V. Dithyrambe | Igor Stravinsky, Tamsin Waley-Cohen, Huw Watkins | E Major | 3 | 12B | 104 BPM | ||
| Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
| Musica serena | Pēteris Vasks, Munich Radio Orchestra, Ivan Repušić | A Minor | 0 | 8A | 65 BPM | ||
| Langsamer Satz (Arr. G. Schwarz for string orchestra) | Anton Webern, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 3 | 7B | 143 BPM | ||
| Harpsichord Sonata No. 73: Allegro in D Major (arr. for Harp) | Antonio Soler, Godelieve Schrama | A Major | 1 | 11B | 94 BPM | ||
| Bartók: Romanian Folk Dances, Sz. 56: No. 3, In One Spot (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
| Suite No. 3, Op. 19 No. 1: II. Pantomim: Moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 1 | 9A | 76 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| Poème de l'amour et de la mer, Op. 19: Interlude | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | A♭ Major | 0 | 4B | 108 BPM | ||
| String Quartet No. 1, Op. 20: I. Allegro violento ed agitato | Alberto Ginastera, Miró Quartet | G Major | 4 | 9B | 146 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| 18 Miniatures for Violin & Piano: No. 18, Dolce | Giya Kancheli, Elisaveta Blumina, Hartmut Schill | N/A | N/A | N/A | 0 BPM | ||
| Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
| Tales "Skazki", Op. 26: III. Narrante a piacere | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
| Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | ||
| Orgelbüchlein, BWV 599-644: Alle Menschen müssen sterben, BWV 643 (Arr. Thomas for Piano Trio) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | G Major | 0 | 9B | 128 BPM | ||
| Stravinsky: Concerto in E-Flat Major "Dumbarton Oaks": I. Tempo giusto | Igor Stravinsky, Sir Neville Marriner, Los Angeles Chamber Orchestra | B♭ Major | 3 | 6B | 96 BPM | ||
| Les Eaux célestes: I. Tisser les nuages | Camille Pépin, Orchestre National De Lyon, Ben Glassberg | B Minor | 1 | 10A | 133 BPM | ||
| Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | A Major | 0 | 11B | 81 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | E Major | 3 | 12B | 104 BPM |