Note's ' "Come F**k With Me (Note)" was released on its scheduled release date, March 22, 2003. Come F**k With Me (Note) is explicit and may not be suitable for children. With the duration being about 3:33, this song is close to the average duration of a typical track. There are a total of 16 in the song's album "Opportunity Knocks". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In terms of popularity, Come F**k With Me (Note) is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Come F**k With Me (Note) by Note having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Als flotter Geist | Rudolf Schock | E♭ Major | 2 | 5B | 93 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Alle sind wir Sünder (Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | F Major | 4 | 7B | 78 BPM | ||
| You Hear KSP | Shauny B, Note, Hhacc, Luner Jackson | E Major | 9 | 12B | 90 BPM | ||
| La Gioconda / Act 1: Maledici? sta ben | Amilcare Ponchielli, Sherrill Milnes, Regolo Romani, Montserrat Caballé, National Philharmonic Orchestra, Bruno Bartoletti | A Minor | 0 | 8A | 164 BPM | ||
| Better World | Note | D Major | 9 | 10B | 148 BPM | ||
| Шумел сурово Брянский лес | The Red Army Choir, Gennady Sachenyuk, Valery Gavva, Igor Raevsky | A♭ Major | 5 | 4B | 84 BPM | ||
| Berlioz: La Damnation de Faust, Op. 24, H 111, Pt. 4: "Nature immense" (Faust) | Hector Berlioz, John Nelson, Michael Spyres, Orchestre Philharmonique De Strasbourg | F Major | 0 | 7B | 72 BPM | ||
| Rigoletto / Act 2: Mio padre! / Dio! Mia Gilda! | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Piero Cappuccilli, Luigi De Corato, Dirk Sagemüller, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | D♭ Major | 1 | 3B | 91 BPM | ||
| Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
| Presssacklied | Martin Frank | E♭ Major | 4 | 5B | 85 BPM | ||
| Als flotter Geist – Ja, das alles auf Ehr' (aus "Der Zigeunerbaron") | Rudolf Schock | B Major | 2 | 1B | 60 BPM | ||
| Article | RECUERDO | E♭ Major | 2 | 5B | 93 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| Mula | Text Sosa, Note | A♭ Minor | 6 | 1A | 144 BPM | ||
| SCP - Remix | Note | C Minor | 5 | 5A | 115 BPM | ||
| Simon Boccanegra: Prologo: Che dicesti (Paolo, Pietro, Simone, Coro) | Giuseppe Verdi, Mattia Olivieri, Andrea Pellegrini, Ludovic Tezier, Coro del Teatro di San Carlo di Napoli, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | E♭ Major | 2 | 5B | 93 BPM | ||
| Spring In My Heart | Deanna Durbin | C Major | 4 | 8B | 91 BPM | ||
| La Gioconda / Act 2: Stella del marinar! | Amilcare Ponchielli, Agnes Baltsa, National Philharmonic Orchestra, Bruno Bartoletti | D Major | 2 | 10B | 90 BPM | ||
| Maria Stuarda / Act 1: "Qui si attenda" | Gaetano Donizetti, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè | B♭ Major | 3 | 6B | 127 BPM | ||
| Let's Talk - Original mix | Note | B Minor | 9 | 10A | 149 BPM | ||
| The Mikado: Act I: Three little maids from school (Yum-Yum, Peep-Bo, Pitti-Sing, Chorus of Girls) | Isidore Godfrey | C Major | 2 | 8B | 122 BPM | ||
| Die Csardasfurstin (The Gypsy Princess): Act I: Lied: Aus ist's mit der Liebe (Boni, 8 women) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | D Minor | 3 | 7A | 109 BPM | ||
| Into The Experience - Tranquilogen Remix | Note | D Major | 7 | 10B | 103 BPM | ||
| La Gioconda / Act 3: Vieni! Lasciami! ohimè! | Amilcare Ponchielli, Sherrill Milnes, Alfreda Hodgson, Montserrat Caballé, Nicolai Ghiaurov, Luciano Pavarotti, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | F Major | 3 | 7B | 91 BPM | ||
| Torpedo Los! (Marsch unserer U-Boote) | Stabsmusikkors und Soldatenchor beim Wachbataillon der Luftwaffe, Berlin | A♭ Major | 4 | 4B | 124 BPM |