Ruth Etting's ' "Sam, the Old Accordion Man" was released on its scheduled release date, February 26, 2021. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Sweetheart Vaudeville". In this album, this song's track order is #10. Sam, the Old Accordion Man is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sam, the Old Accordion Man by Ruth Etting having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blondy | Jack Purvis, Smith Ballew and His Orchestra | B♭ Major | 3 | 6B | 97 BPM | ||
| I Wanna Be Loved By You | Annette Hanshaw | G Major | 1 | 9B | 73 BPM | ||
| Kinda Lonesome - Remastered | Maxine Sullivan | E♭ Major | 0 | 5B | 73 BPM | ||
| You're The Top (with Vince Giordano & The Nighthawks) | Cole Porter, Vince Giordano, The Nighthawks | E♭ Major | 4 | 5B | 90 BPM | ||
| March Winds and April Showers | Ruth Etting | A Minor | 2 | 8A | 138 BPM | ||
| My Man | Fanny Brice | F Minor | 2 | 4A | 74 BPM | ||
| Hes Me Pal | Ada Jones | F♯ Major | 4 | 2B | 84 BPM | ||
| The Wild, Wild West | Virginia O'Brien | B♭ Major | 2 | 6B | 105 BPM | ||
| A Pretty Girl Is Like a Melody | Rudy Vallee | C Major | 2 | 8B | 122 BPM | ||
| We Just Couldn't Say Goodbye - Remastered | Annette Hanshaw | C Major | 3 | 8B | 114 BPM | ||
| Masculine Women, Feminine Men | Six Jumping Jacks | B Minor | 5 | 10A | 102 BPM | ||
| Zing! Went The Strings Of My Heart | Lew Stone & His Band | A Minor | 2 | 8A | 93 BPM | ||
| Calm as the Night | John Kirby and His Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
| You're the Top | Hal Kemp And His Orchestra, Skinnay Ennis | A Major | 3 | 11B | 107 BPM | ||
| There'll Be Other Nights | Alice Faye | A♭ Major | 2 | 4B | 88 BPM | ||
| How Could Red Riding Hood Be Good? (Recorded October 1926) | Dolly Kay | D♭ Minor | 2 | 12A | 113 BPM | ||
| Makin' Whoopee | Eddie Cantor | G Major | 2 | 9B | 118 BPM | ||
| I'm No Angel - The Original Commercial Recordings | Mae West | F Major | 1 | 7B | 110 BPM | ||
| She's the Sweetheart of Six Other Guys (Alternate Version) [Recorded April 1928] | Billy Jones, Ernest Hare | E Minor | 2 | 9A | 120 BPM | ||
| Cuddle Up A Little Closer | Charlie Spivak & His Orchestra | E♭ Major | 2 | 5B | 81 BPM | ||
| And I Still Do | Ina Ray Hutton and Her Melodears | F Major | 4 | 7B | 211 BPM | ||
| While the Music Plays On | Jimmy Dorsey & His Orchestra, Helen O'Connell, Bob Eberly | B♭ Minor | 3 | 3A | 98 BPM | ||
| I'll Be With You In Apple Blossom Time | Albert von Tilzer, Henry Burr, Albert Campbell | G Major | 2 | 9B | 82 BPM | ||
| Anything Goes | Lew Stone & His Band | G Major | 3 | 9B | 183 BPM | ||
| Go Back Where You Stayed Last Night - What's Good For The Goose | Ethel Waters | A♭ Major | 2 | 4B | 122 BPM |