Edward Martin's ' "Fortune Laisse (Attaingnant)" was released on its scheduled release date, July 24, 2003. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Fortune Laisse (Attaingnant)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 36 in Art of the Lute in Renaissance France by Edward Martin. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Fortune Laisse (Attaingnant) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Fortune Laisse (Attaingnant) by Edward Martin is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tarantela por primer tono | Juan de Araujo, Ensemble Villancico, Peter Pontvik | F♯ Major | 2 | 2B | 72 BPM | ||
| Volta | Michelangelo Galilei, Jakob Lindberg | A♭ Major | 0 | 4B | 176 BPM | ||
| Suite in D minor: Gigue | Israel Golani | D♭ Minor | 0 | 12A | 125 BPM | ||
| Wie möcht ich fröhlich werden | Melchior Neusidler, Paul O'Dette | G Minor | 0 | 6A | 146 BPM | ||
| Fantasia No. 81 | Francesco da Milano, Massimo Lonardi | C Minor | 0 | 5A | 113 BPM | ||
| Seis diferencias del igno de Nuestra Señora O gloriosa domina, Book IV | Luis de Narváez, Xavier Diaz-Latorre | B♭ Minor | 1 | 3A | 101 BPM | ||
| Glosa Sobre el Cum Sancto (Tiento del Séptimo Tono) | Alonso Mudarra, Hopkinson Smith | B Minor | 1 | 10A | 108 BPM | ||
| Suite in A Major-2 Allemande-Johann Gottfried Conradi | Johann Gottfried Conradi, Edward Martin | A♭ Major | 0 | 4B | 87 BPM | ||
| Suite in G major: Allemande | Israel Golani | F♯ Major | 0 | 2B | 101 BPM | ||
| The Fairy Round (Galliard) | Anthony Holborne, Lutz Kirchhof | F♯ Major | 1 | 2B | 102 BPM | ||
| La Canción del Emperador | Luis de Narváez, Dulces Exuviae, Bor Zuljan | F♯ Major | 1 | 2B | 75 BPM | ||
| Suite in D Minor: VI. Courante | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| Saltarello | Joan Ambrosio Dalza, Anthony Rooley, James Tyler | C Major | 4 | 8B | 124 BPM | ||
| Praambulum | Jean-Baptiste Besard, Joachim Held | F♯ Minor | 1 | 11A | 87 BPM | ||
| D'un feu secret je me sens consumer | Michel Lambert, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| Suite in A Major: II. Chaconne | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| Pavana lachrimae | Joachim van den Hove, Joachim Held | A Major | 2 | 11B | 164 BPM | ||
| Lute Sonata in F Minor (Augsburg manuscript): I. Affettuoso | Bernhard Joachim Hagen, Robert Barto | E Minor | 2 | 9A | 122 BPM | ||
| La Zanetta padovana (Renaissance Lutes & Archlute in Ensemble) | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | D Minor | 0 | 7A | 72 BPM | ||
| Ricercare No. 7 - Balletto - De tous biens pleine - La Spagna: Recercar sesto - Balletto - De tous biens pleine - La Spagna | Vincenzo Capirola, Jakob Lindberg | C Major | 1 | 8B | 107 BPM | ||
| Tombeau de M. Blanrocher | Dufaut, Toyohiko Satoh | D♭ Minor | 1 | 12A | 82 BPM | ||
| Suite in D Minor: V. Les derniers paroles | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Ayres for the Violin: Aria I (Arr. For guitar) | Nicola Matteis Jr., Pierre Pitzl | D♭ Minor | 0 | 12A | 77 BPM | ||
| Dezilde al Cavallero que | Diego Pisador, Juan Carlos Rivera | F Major | 0 | 7B | 90 BPM |