Pavane in F-Sharp Minor, Op. 50 - Adaption for Ballet Classes: Demi y grand plié. Metre 4/4 by Gabriel Fauré, MetodoVadim Song Details

Gabriel Fauré, MetodoVadim's ' "Pavane in F-Sharp Minor, Op. 50 - Adaption for Ballet Classes: Demi y grand plié. Metre 4/4" was released on its scheduled release date, August 26, 2018. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Pavane in F-Sharp Minor, Op. 50 - Adaption for Ballet Classes: Demi y grand plié. Metre 4/4's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Piano music for Intermediate Ballet Class". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Pavane in F-Sharp Minor, Op. 50 - Adaption for Ballet Classes: Demi y grand plié. Metre 4/4's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

With Pavane in F-Sharp Minor, Op. 50 - Adaption for Ballet Classes: Demi y grand plié. Metre 4/4 by Gabriel Fauré, MetodoVadim having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -20.505 dB
Acousticness: 92%
Danceability: 59%
Energy: 5%
Instrumentalness: 97%
Liveness: 8%
Loudness: 66%
Speechiness: 26%
Valence: 78%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Andante Festivo	Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	1	9B	86 BPM
Rusalka, Op. 114, Act I: Song to the Moon	Antonín Dvořák, Pablo Ferrandez, Martin Fröst, Swedish Chamber Orchestra	D Minor	1	7A	109 BPM
Romance "O pourquoi donc" in E Minor, S. 169	Franz Liszt, Lang Lang	E Minor	0	9A	67 BPM
Lyric Pieces, Book 5, Op. 54: Nocturne	Edvard Grieg, Alessio Bax	C Major	0	8B	72 BPM
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor	Felix Mendelssohn, Bertrand Chamayou	F♯ Minor	1	11A	69 BPM
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen	Franz Liszt, Mariam Batsashvili	A Minor	1	8A	120 BPM
Cello Sonata in B-Flat Major, Op. 46: 2. Andante sostenuto	Louise Farrenc, David Berlin, Benjamin Martin	A♭ Major	0	4B	65 BPM
Étude No. 3: Ballade	Marie Awadis	D♭ Major	0	3B	127 BPM
Dreaming, Op. 15: No. 3	Amy Beach, Eline Marlene	D♭ Major	0	3B	75 BPM
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero	Felix Mendelssohn, Leif Ove Andsnes	F♯ Minor	1	11A	182 BPM
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano)	Sergei Rachmaninoff, Sergei Babayan	A♭ Major	0	4B	78 BPM
Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod"	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	E♭ Major	0	5B	79 BPM
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne	Camille Saint-Saëns, Güher Pekinel, Éric Levionnais, Süher Pekinel	E♭ Major	1	5B	82 BPM
Pavane, Op. 50	Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton	F♯ Minor	0	11A	66 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	G Major	3	9B	97 BPM
Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy of Man’s Desiring (Transcr. Hess for Piano)	Johann Sebastian Bach, Daniil Trifonov	G Major	0	9B	82 BPM
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103	Felix Mendelssohn, Péter Nagy	E♭ Major	0	5B	65 BPM
Three Postludes (1981/82): Postlude No. 3	Valentin Silvestrov, Anja Lechner, Silke Avenhaus	D Major	0	10B	70 BPM
Les chemins de l'amour, FP. 106	Francis Poulenc, Mischa Maisky, Daria Hovora	E Major	1	12B	67 BPM
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra)	Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	C Minor	1	5A	100 BPM
Messiah, HWV 56, Pt. I: Pastoral Symphony, "Pifa" (Arr. L. Stokowski)	George Frideric Handel, Bournemouth Symphony Orchestra, José Serebrier	C Major	0	8B	84 BPM
Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon	Antonín Dvořák, Edgar Moreau, Jérémie Moreau	F♯ Major	0	2B	138 BPM
Gnossiennes: No. 1 Lent	Erik Satie, Alice Sara Ott	C Minor	0	5A	141 BPM
Abendlied, Op. 85, No. 12 (Arr. for String Orchestra by Johan Svendsen)	Robert Schumann, Lucerne Festival Strings, Daniel Dodds	B Major	1	1B	113 BPM
La lisonjera, Op. 50	Cécile Chaminade, Péter Nagy	D♭ Major	1	3B	132 BPM