| 1 | ![Paquita, Op. 6: Variation - Adaption for Ballet Classes: Révérence by Édouard Marie Ernest Deldevez, MetodoVadim]() | Paquita, Op. 6: Variation - Adaption for Ballet Classes: Révérence | Édouard Marie Ernest Deldevez, MetodoVadim | G Major | 9B | 96 |
| 2 | ![Faust, CG 4: Valentin]() | Faust, CG 4: Valentin"s Aria - Adaption for Ballet Classes: Demi y grand plié. Metre 4/4 | Charles Gounod, MetodoVadim | A Major | 11B | 126 |
| 3 | ![Battement tendu simple y jeté. Metre 2/4. by Vadim Proshich, MetodoVadim]() | Battement tendu simple y jeté. Metre 2/4. | Vadim Proshich, MetodoVadim | A Major | 11B | 126 |
| 4 | ![Valse de l'opéra Faust, Op. 129 - Adaption for Ballet Classes: Rond de jambe par terre. Metre 3/4 by Alfred Jaëll, MetodoVadim]() | Valse de l'opéra Faust, Op. 129 - Adaption for Ballet Classes: Rond de jambe par terre. Metre 3/4 | Alfred Jaëll, MetodoVadim | A Major | 11B | 106 |
| 5 | ![Pagliacci, Act I: Aria, Vesti la Giubba - Adaption for Ballet Classes: Battement fondu. Metre 4/4 by Ruggero Leoncavallo, MetodoVadim]() | Pagliacci, Act I: Aria, Vesti la Giubba - Adaption for Ballet Classes: Battement fondu. Metre 4/4 | Ruggero Leoncavallo, MetodoVadim | A Major | 11B | 126 |
| 6 | ![Giselle, Act I: Allegro - Adaption for Ballet Classes: Battement frappe. Metre 2/4 by Adolphe Adam, MetodoVadim]() | Giselle, Act I: Allegro - Adaption for Ballet Classes: Battement frappe. Metre 2/4 | Adolphe Adam, MetodoVadim | A Major | 11B | 126 |
| 7 | ![1ère Gymnopédie - Adaption for Ballet Classes: Rond en l'air. Metre 4/4 by Erik Satie, MetodoVadim]() | 1ère Gymnopédie - Adaption for Ballet Classes: Rond en l'air. Metre 4/4 | Erik Satie, MetodoVadim | D Major | 10B | 102 |
| 8 | ![Giselle, Act I: Adagio - Adaption for Ballet Classes: Battement relevé lent y développé. Metre 4/4 by Vadim Proshich, MetodoVadim]() | Giselle, Act I: Adagio - Adaption for Ballet Classes: Battement relevé lent y développé. Metre 4/4 | Vadim Proshich, MetodoVadim | A Major | 11B | 126 |
| 9 | ![Giselle, Act I: Allegro - Adaption for Ballet Classes: Grand battement. Metre 4/4 by Vadim Proshich, MetodoVadim]() | Giselle, Act I: Allegro - Adaption for Ballet Classes: Grand battement. Metre 4/4 | Vadim Proshich, MetodoVadim | A Major | 11B | 126 |
| 10 | ![Pavane in F-Sharp Minor, Op. 50 - Adaption for Ballet Classes: Demi y grand plié. Metre 4/4 by Gabriel Fauré, MetodoVadim]() | Pavane in F-Sharp Minor, Op. 50 - Adaption for Ballet Classes: Demi y grand plié. Metre 4/4 | Gabriel Fauré, MetodoVadim | A Major | 11B | 126 |
| 11 | ![Battement tendu simple y jeté. Metre 4/4. by Vadim Proshich, MetodoVadim]() | Battement tendu simple y jeté. Metre 4/4. | Vadim Proshich, MetodoVadim | A Major | 11B | 126 |
| 12 | ![Valse Tzigane - Adaption for Ballet Classes: Rond de jambe par terre. Metre 3/4 by Fermo Dante Marchetti, MetodoVadim]() | Valse Tzigane - Adaption for Ballet Classes: Rond de jambe par terre. Metre 3/4 | Fermo Dante Marchetti, MetodoVadim | A Major | 11B | 126 |
| 13 | ![Paquita, Op. 6:: Adagio - Adaption for Ballet Classes: Battement fondu. Metre 3/4 by Riccardo Drigo, MetodoVadim]() | Paquita, Op. 6:: Adagio - Adaption for Ballet Classes: Battement fondu. Metre 3/4 | Riccardo Drigo, MetodoVadim | A Major | 11B | 126 |
| 14 | ![Paquita, Op. 6: Pas de Trois - Adaption for Ballet Classes: Preparatory exercise for tours. Metre 4/4 by Vadim Proshich, MetodoVadim]() | Paquita, Op. 6: Pas de Trois - Adaption for Ballet Classes: Preparatory exercise for tours. Metre 4/4 | Vadim Proshich, MetodoVadim | A Major | 11B | 126 |
| 15 | ![Il Piccolo Haydn: Adagio - Adaptation for ballet classes: Temps lié. Metre 3/4 by Gaetano Cipollini, MetodoVadim]() | Il Piccolo Haydn: Adagio - Adaptation for ballet classes: Temps lié. Metre 3/4 | Gaetano Cipollini, MetodoVadim | A Major | 11B | 126 |
| 16 | ![Chaînés. Metre 4/4. by Vadim Proshich, MetodoVadim]() | Chaînés. Metre 4/4. | Vadim Proshich, MetodoVadim | A Major | 11B | 126 |
| 17 | ![Paquita, Op. 6: Allegro - Adaption for Ballet Classes. Tour soutenus. Metre 4/4 by Ludwig Minkus, MetodoVadim]() | Paquita, Op. 6: Allegro - Adaption for Ballet Classes. Tour soutenus. Metre 4/4 | Ludwig Minkus, MetodoVadim | A Major | 11B | 126 |
| 18 | ![Coppélia, Act II: Allegro - Adaption for Ballet Classes: Tours piqué. Metre 2/4. Coda by Léo Delibes, MetodoVadim]() | Coppélia, Act II: Allegro - Adaption for Ballet Classes: Tours piqué. Metre 2/4. Coda | Léo Delibes, MetodoVadim | E♭ Major | 5B | 86 |
| 19 | ![Paquita, Op. 6: Variation II - Adaption for Ballet Classes: Révérence by Ludwig Minkus, MetodoVadim]() | Paquita, Op. 6: Variation II - Adaption for Ballet Classes: Révérence | Ludwig Minkus, MetodoVadim | A Major | 11B | 126 |