Erik Satie, MetodoVadim's ' "1ère Gymnopédie - Adaption for Ballet Classes: Rond en l'air. Metre 4/4" was released on its scheduled release date, August 26, 2018. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. 1ère Gymnopédie - Adaption for Ballet Classes: Rond en l'air. Metre 4/4's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Piano music for Intermediate Ballet Class". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Switzerland. In terms of popularity, 1ère Gymnopédie - Adaption for Ballet Classes: Rond en l'air. Metre 4/4 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 1ère Gymnopédie - Adaption for Ballet Classes: Rond en l'air. Metre 4/4 by Erik Satie, MetodoVadim having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I. Prélude. Andantino | César Franck, Jean-Pierre Armengaud | D Major | 0 | 10B | 66 BPM | ||
| Du côte de chez Swann | Stephan Beneking, Michael Hauber | C Minor | 0 | 5A | 136 BPM | ||
| Nocturne in F Minor, Op. 55, No. 1 (Arr. By Chad Lawson for Piano, Violin, Cello) | Chad Lawson, Judy Kang, Rubin Kodheli | F Minor | 0 | 4A | 149 BPM | ||
| The Midnight Tide | Luke Faulkner | E♭ Minor | 1 | 2A | 70 BPM | ||
| Elegie, Op. 24 | Gabriel Fauré, Maria Kliegel, Nina Tichman | A♭ Major | 0 | 4B | 72 BPM | ||
| Gymnopédie No. 1 | Erik Satie, Philippe Entremont | G Major | 0 | 9B | 73 BPM | ||
| Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
| Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
| Petite Ouverture à danser | Erik Satie, Alexandre Tharaud | B♭ Major | 0 | 6B | 96 BPM | ||
| Gymnopedie No. 1 | Takashi Yoshimatsu, Erik Satie, Pascal Rogé | G Major | 0 | 9B | 69 BPM | ||
| Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 101 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi, Czech Philharmonic | C Minor | 1 | 5A | 79 BPM | ||
| The Seasons, Op. 37a: VI. June. Barcarolle | Pyotr Ilyich Tchaikovsky, Bruce Liu | G Minor | 0 | 6A | 76 BPM | ||
| Gnossienne: No. 2 - Arr. for Cello and Piano | Christopher Dennis Coleman, Erik Satie | D Minor | 1 | 7A | 144 BPM | ||
| Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
| Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
| Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, London Mozart Players, Howard Shelley | F Major | 0 | 7B | 179 BPM | ||
| Lyric Pieces, Book VI, Op. 57: No. 6, Hjemve. Andante | Edvard Grieg, Javier Perianes | E Minor | 0 | 9A | 166 BPM | ||
| Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
| Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
| 2 Arabesques, L. 66: No. 1 in E Major | Claude Debussy, François-Joël Thiollier | F♯ Minor | 0 | 11A | 65 BPM | ||
| Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Paul Lewis | D♭ Minor | 0 | 12A | 172 BPM | ||
| Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 0 | 8A | 104 BPM | ||
| Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
| Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM |