Catherine Leroux, Karie Richards's 'Chapter 11 - The Future' had a release date set for January 16, 2024. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 195 in the song's album "The Future (Unabridged)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Chapter 11 - The Future is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Chapter 11 - The Future by Catherine Leroux, Karie Richards having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nightlounge | Mia Brentano, Benyamin Nuss, Billy Test | A Minor | 1 | 8A | 106 BPM | ||
| Pacific Triptych (Version for Piano): II. Travelling Music | Peter Scott Lewis, Blair McMillen | G Minor | 1 | 6A | 75 BPM | ||
| Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
| Syrinx (Arr. J.M. Londeix) | Claude Debussy, Gerard McChrystal | E Minor | 3 | 9A | 164 BPM | ||
| Clarinet Sonata in E-Flat Major, Op. 167, R. 147: III. Lento | Camille Saint-Saëns, Kimball Sykes, Stephane Lemelin | D Major | 1 | 10B | 83 BPM | ||
| Suite, Op. 157b: III. Jeu | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | D Major | 1 | 10B | 83 BPM | ||
| Chapter 155 - The Future | Catherine Leroux, Karie Richards | B♭ Minor | 1 | 3A | 84 BPM | ||
| Messiaen: Vingt Regards sur l'Enfant Jésus: (Le Baiser de l'Enfant Jésus): II. Modéré | Alison Balsom, Guy Barker Orchestra, Tim Redmond | A♭ Minor | 1 | 1A | 92 BPM | ||
| And Everything Is Still... (Version for Saxophone & Piano) | Andy Scott, Timothy McAllister, Liz Ames | F Minor | 0 | 4A | 67 BPM | ||
| Sea-Weed Song, Op. 12c | Ruth Gipps, Juliana Koch, Michael McHale | C Minor | 0 | 5A | 77 BPM | ||
| Six Studies in English Folk Song (Arr. Flute & Piano by Katrina Penman): III. Larghetto | Ralph Vaughan Williams, Katrina Penman, Claudia Vior | C Major | 1 | 8B | 145 BPM | ||
| Concertino da camera: I. Allegro con moto | Jacques Ibert, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | F Major | 1 | 7B | 69 BPM | ||
| Hymne (No. 8) | G. I. Gurdjieff, Thomas de Hartmann, Dietrich Bethge, Corinne Cordier, Herbert Lashner | F Minor | 0 | 4A | 139 BPM | ||
| Hannikainen : Five Piano Pieces Op.20 : I Syyssateita [Autumn Rain] | Ilmari Hannikainen, Izumi Tateno | E Minor | 0 | 9A | 89 BPM | ||
| Sextet for Brass in E-Flat Minor, Op. 30: II. Allegro vivace | Oskar Böhme, Center City Brass Quintet, Jack Sutte | C Minor | 1 | 5A | 156 BPM | ||
| Seven Nuggets: IV. Rough Diamond | Peter Scott Lewis, Blair McMillen | G Major | 1 | 9B | 93 BPM | ||
| 4 Préludes: III. La Fille aux cheveux de lin, L. 117 No. 8 - Arr. for Viola and Piano by Roger Benedict | Claude Debussy, Roger Benedict, Simon Tedeschi | G Major | 0 | 9B | 77 BPM | ||
| Suite bergamasque, L. 75: I. Prelude | Claude Debussy, Elliot Wuu | C Major | 5 | 8B | 154 BPM | ||
| Chapter 57 - The Future | Catherine Leroux, Karie Richards | B♭ Minor | 1 | 3A | 125 BPM | ||
| Sonate, Op. 168: III. Adagio Allegro moderato | Camille Saint-Saëns, Michel Bettez, Pierre-Richard Aubin | G Minor | 0 | 6A | 68 BPM | ||
| Sonatine pour basson et piano: II. Aria largo cantabile | Alexandre Tansman, Marc Trenel, Pascal Godart | A Minor | 0 | 8A | 130 BPM | ||
| Sonata for Alto Saxophone and Piano, Op. 19: I. With Vigor | Paul Creston, Joseph Lulloff, Deborah Moriarty | B Major | 1 | 1B | 129 BPM | ||
| Clarinet Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, Han Chen, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Sonata "Undine" Op. 167 for Flute and Piano: I. Allegro | Carl Reinecke, Jasmine Choi | E Minor | 1 | 9A | 108 BPM | ||
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM |