On October 30, 2023, the song "Variazioni per francia" was released by Bernardo Pasquini, Andrea Chezzi. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Pasquini: Harpsichord Music". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Italy. In terms of popularity, Variazioni per francia is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Variazioni per francia by Bernardo Pasquini, Andrea Chezzi having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
| Scarlatti, A: Or che di Febo: I. Sinfonia. Largo - Adagio | Alessandro Scarlatti, The Chandos Baroque Players | D♭ Major | 0 | 3B | 74 BPM | ||
| Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
| Les Génies ou les Caractères de l'Amour: Rondeau | Mademoiselle Duval, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | D♭ Major | 1 | 3B | 110 BPM | ||
| Concerto in A Major, Op. 12 No. 1: II. Allegro | Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 109 BPM | ||
| La Furstemberg / La Royale | François Lazarevitch, Henry Purcell, François Rebel, François Francoeur, Les Musiciens De Saint-Julien | G Minor | 1 | 6A | 81 BPM | ||
| Il fulmine son io Cantata | Bernardo Pasquini, Capella Tiberina, Alexandra Nigito, Lisandro Abadie, Domen Marincic, Sam Chapman | E Minor | 4 | 9A | 147 BPM | ||
| Infirmata, vulnerata: I. Infirmata, vulnerata | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Signora non è tempo di burlare troppo (Live) | Bernardo Pasquini, Anita Giovanna Rosati, Margherita Maria Sala, Innsbrucker Festwochenorchester, Alessandro De Marchi | G Major | 8 | 9B | 84 BPM | ||
| "Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
| Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
| Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | ||
| Caino e Abel: Pt. I: Narra, o padre, deh narra (Abel, Cain) | Bernardo Pasquini, Gian Paolo Fagotto, Nadia Ragni, Claudio Cavina, Andreana Galante, Furio Zanasi, Teatro Armonico, Il, Alessandro De Marchi | B Major | 1 | 1B | 168 BPM | ||
| Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340: II. Affetuoso | Christoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses | E Major | 0 | 12B | 64 BPM | ||
| Couperin, L: Suite en la: VII. Sarabande, G. 23 | Louis Couperin, Jean Rondeau | E♭ Major | 4 | 5B | 90 BPM | ||
| Arripe alpestri ad vallem: Sereni affectus mei | Il Seminario Musicale, Gérard Lesne | E Major | 0 | 12B | 70 BPM | ||
| Lustrissimo pietà (Live) | Bernardo Pasquini, Arianna Vendittelli, Juan Sancho, Morgan Pearse, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi | G Major | 8 | 9B | 84 BPM | ||
| Concert royaux, Quatrième concert in E Minor: V. Sarabande. Très tendrement | François Couperin, Lucie Horsch, Tom Foster | E Major | 0 | 12B | 89 BPM | ||
| Concerto grosso No. 5 in D Minor: II. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
| Sonata in F, TWV 41 F3: I. Andante | Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly Brecht | F Minor | 0 | 4A | 125 BPM | ||
| Laudate pueri in G Major, RV 601 "Salmo 112": II. Sit nomen Domini (Allegro) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | E♭ Minor | 1 | 2A | 121 BPM | ||
| Trio Sonata in G Major, Op. 2 No. 12. Ciacona | Arcangelo Corelli, Simon Standage, Micaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 3 | 11B | 68 BPM | ||
| Aire (For the Play "The Mad Lover) [3] | John Eccles, Capella Orlandi Bremen, Thomas Ihlenfeldt | F♯ Minor | 0 | 11A | 97 BPM | ||
| Dixit Dominus, RV 595: VIII. Aria "De torrente in via bibet" | Antonio Vivaldi, Jordi Savall, Anthony Roth Costanzo, Le Concert Des Nations | B♭ Minor | 0 | 3A | 92 BPM | ||
| Stabat mater: I. Stabat mater dolorosa | Alessandro Scarlatti, Emmanuelle De Negri, Paul Figuier, Les Accents, Thibault Noally | B Minor | 1 | 10A | 97 BPM |