- BPM
- 170
- Key
- D Major
- Camelot
- 10B
Little Elegy by John Duke, Ruth Ann Swenson Song Details
"Little Elegy" by John Duke, Ruth Ann Swenson had its release date on January 1, 1996. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ruth Ann Swenson's "I Carry Your Heart" album is number 17 out of 20. The popularity of Little Elegy is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Little Elegy by John Duke, Ruth Ann Swenson to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
Music Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -32.397 dB
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 1%
- Instrumentalness
- 42%
- Liveness
- 5%
- Loudness
- 46%
- Speechiness
- 6%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Juditha triumphans, RV 644: Agitata infido flatu - Arr. for Voice & Piano | Antonio Vivaldi, Théophile Alexandre, Guillaume Vincent | D♭ Minor | 3 | 12A | 76 BPM | |
 | Songs to Portions of "From the Sea" by Sara Teasdale | Carole Bogard, John Duke | D♭ Minor | 1 | 12A | 137 BPM | |
 | Elijah, Op. 70, Pt. 1: No. 14, Lord God of Abraham, Isaac and Israel | Felix Mendelssohn, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | D♭ Minor | 1 | 12A | 94 BPM | |
 | Bells in the Rain | John Duke, James Taylor, Donald Sulzen | E Minor | 0 | 9A | 127 BPM | |
 | Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM | |
 | Miniver Cheevy | John Duke, Donald Hassard, Donald Gramm | C Minor | 1 | 5A | 96 BPM | |
 | Chansons pour les oiseaux: No. 1, La colombe poignardée | Louis Beydts, Julie Roset, Susan Manoff | B♭ Minor | 1 | 3A | 68 BPM | |
 | The Dream of Gerontius, Op. 38, Part II: No. 3, My work is done (Angel) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Jamie Barton | D Major | 2 | 10B | 86 BPM | |
 | Myrthen, Op. 25: No. 3, Der Nussbaum | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | F Major | 0 | 7B | 74 BPM | |
| Clairières dans le ciel: No. 1, Elle était descendue au bas de la prairie | Lili Boulanger, Julie Roset, Susan Manoff | B♭ Minor | 1 | 3A | 68 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 3 "Auf, wach auf, mein Jüngelchen" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 1 | 5B | 96 BPM | |
 | Fauré: 2 Mélodies, Op. 46: No. 2, Clair de lune | Gabriel Fauré, Véronique Gens, Roger Vignoles | B♭ Minor | 0 | 3A | 70 BPM | |
 | Le nozze di Figaro, K.492 / Act 4: "Giunse alfin il momento" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | C Major | 0 | 8B | 108 BPM | |
 | Auch kleine Dinge können uns entzücken | Hugo Wolf, Mojca Erdmann | A Major | 0 | 11B | 68 BPM | |
 | Il barcaiolo | Gaetano Donizetti, Cecilia Bartoli, James Levine | D♭ Major | 1 | 3B | 99 BPM | |
 | Roussel: Odes anacréontiques, Op. 31: No. 2, Qu'il faut boire | Albert Roussel, José van Dam, Dalton Baldwin | A Major | 0 | 11B | 115 BPM | |
 | Griseldis: Introduction | Adolphe Adam, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Dario Salvi | B♭ Major | 2 | 6B | 78 BPM | |
 | Love's Philosophy, Op. 3, No. 1 | Roger Quilter, Kathryn Rudge, James Baillieu | A Major | 2 | 11B | 86 BPM | |
| Radamisto, HWV 12: Ombra cara - Arr. for Voice & Piano | George Frideric Handel, Théophile Alexandre, Guillaume Vincent | D Minor | 1 | 7A | 71 BPM | |
 | Barber - Four songs, op. 13: Sure on this shining night | Samuel Barber, Barbara Bonney, Malcolm Martineau | G Minor | 1 | 6A | 89 BPM | |
 | Chansons pour les oiseaux: No. 3, L'oiseau bleu | Louis Beydts, Julie Roset, Susan Manoff | G Major | 6 | 9B | 103 BPM | |
 | Stabat Mater, FP 148: 5. Quis est homo | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Minor | 3 | 8A | 97 BPM | |
 | Quella fiamma che m'accende | Benedetto Marcello, Cecilia Bartoli, György Fischer | G Minor | 1 | 6A | 132 BPM | |
 | 5 Lieder, Op. 105: I. Wie Melodien zieht es mir | Johannes Brahms, Bernarda Fink, Roger Vignoles | C Minor | 0 | 5A | 69 BPM | |
 | Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records