On September 30, 2016, the song "Pilla Suit - Meri Kavita" was released by Balbir Rana, Ramesh, Lalit, Raju, Diwan Chand, Hukam. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 40 in the song's album "Utrakhand Kumaouni Chori Dhanuli Vol-15". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. In terms of popularity, Pilla Suit - Meri Kavita is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Pilla Suit - Meri Kavita by Balbir Rana, Ramesh, Lalit, Raju, Diwan Chand, Hukam having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maa Arzi Leke Aaya | Harsh Sikander | A♭ Minor | 6 | 1A | 144 BPM | ||
| Daanpure Ki Neelu Chori | Pappu Karki | F♯ Major | 7 | 2B | 124 BPM | ||
| Bijuma Pyari | Kishan Mahipal | G Major | 7 | 9B | 141 BPM | ||
| Aiso Chatak Matak So Thakur | Chetna | D♭ Major | 9 | 3B | 139 BPM | ||
| Sharan Pada Hoon | Rajni Rajasthani | B Major | 6 | 1B | 94 BPM | ||
| Jur Pati - Original | Mahendra Hazarika, NA | F Minor | 6 | 4A | 96 BPM | ||
| Aaya Sikhla - Original | Phylaw, Nirola, NA | F♯ Minor | 6 | 11A | 130 BPM | ||
| Jahu Hum Jeniti | Vishnu Ojha | B♭ Major | 6 | 6B | 88 BPM | ||
| Mai Jaulo | Lalit Mohan Joshi | E♭ Minor | 8 | 2A | 156 BPM | ||
| Tune Jo Kamaya Hai | Chintu Sewak | D♭ Minor | 4 | 12A | 90 BPM | ||
| Chamthe Pakhie | Kishan Mahipal, Meena Rana | A Major | 8 | 11B | 141 BPM | ||
| Bole Mera Satguru Amritwani | Chotu Singh Rawna | A Major | 7 | 11B | 172 BPM | ||
| Aata Rahunga Dar Pe Tumhare | Rajni Rajasthani | D♭ Major | 6 | 3B | 125 BPM | ||
| Saari Latak (Feat. Jitendra Tomkyal Mamta Arya) - Uttrakhandi | Jitendra Tomkyal, Mamta Arya | B Minor | 8 | 10A | 135 BPM | ||
| Khol Mandriya Ke Gate | Kalpana | F♯ Major | 6 | 2B | 94 BPM | ||
| Ganpati Aayo Baapa | Pamela Jain, Vikram Thakor | D♭ Major | 4 | 3B | 141 BPM | ||
| Jhuliya Bandhage | Dilip Shadangi | G Major | 6 | 9B | 107 BPM | ||
| Radhe Kon Se Punya Kiye Tumne Hari Roj Tere Ghar Ate Hai | Deeksha Jangra | B Major | 8 | 1B | 124 BPM | ||
| Bageshwar Ki Chori Neelma - Pahadi | Jitendra Tomkyal | A Major | 10 | 11B | 155 BPM | ||
| Bhaguli Haay Teri | Lalit Mohan Joshi | G Minor | 8 | 6A | 97 BPM | ||
| Shambhu Sharan Padi | Gajendra Pratap Singh | E♭ Minor | 6 | 2A | 120 BPM | ||
| Haar Ke Main Aaya Hoon | Sanjeev Sharma | E♭ Major | 2 | 5B | 135 BPM | ||
| Gair Ke Dulhan Ban Gailu | Neelkamal Singh | D♭ Minor | 7 | 12A | 152 BPM | ||
| Bhejle Ba Pitri Ke Pahunchi Nishaan | Madan Rai | F♯ Minor | 5 | 11A | 160 BPM | ||
| Jeeybo Kaise Akel | Aashish Yadav | D Major | 6 | 10B | 115 BPM |