L'Oiseau de feu: Berceuse (L'Oiseau de feu) - 1910 version by Igor Stravinsky, Columbia Symphony Orchestra Song Details

"L'Oiseau de feu: Berceuse (L'Oiseau de feu) - 1910 version" by Igor Stravinsky, Columbia Symphony Orchestra had its release date on 1948. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. L'Oiseau de feu: Berceuse (L'Oiseau de feu) - 1910 version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 148 in the song's album "The Original Jacket Collection: Stravinsky Conducts Stravinsky - The Classic LP Recordings". In this album, this song's track order is #19. The popularity of L'Oiseau de feu: Berceuse (L'Oiseau de feu) - 1910 version is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With L'Oiseau de feu: Berceuse (L'Oiseau de feu) - 1910 version by Igor Stravinsky, Columbia Symphony Orchestra having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -30.861 dB
Acousticness: 94%
Danceability: 8%
Energy: 1%
Instrumentalness: 92%
Liveness: 11%
Loudness: 49%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen	Gustav Mahler, Leonard Bernstein, New York Philharmonic	A♭ Major	0	4B	72 BPM
Symphony No. 1, Op. 9: III. Andante tranquillo	Samuel Barber, Leonard Slatkin, St. Louis Symphony	B♭ Major	3	6B	93 BPM
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto	Francis Poulenc, James Conlon, François-René Duchâble, Jean-Philippe Collard, Rotterdam Philharmonic Orchestra	B♭ Major	0	6B	84 BPM
Eine Alpensinfonie, Op.64, TrV 233: 19. Gewitter und Sturm, Abstieg	Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan	B♭ Minor	6	3A	148 BPM
Scheherazade, Op. 35: IV. Festival at Baghdad – The Sea – Shipwreck. Allegro molto	Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan	C Major	3	8B	79 BPM
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One)	Igor Stravinsky, Teodor Currentzis, musicAeterna	D Minor	5	7A	136 BPM
Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro	Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti	D♭ Major	2	3B	142 BPM
Symphony No.9 in E minor, Op.95 "From the New World": 3. Scherzo (Molto vivace)	Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi	E Minor	1	9A	127 BPM
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	A Major	1	11B	96 BPM
Finlandia, Op. 26	Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	3	4B	67 BPM
Printemps, L. 61: II. Modéré	Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra	F♯ Minor	2	11A	103 BPM
Japanese Suite, Op. 33, H. 126: V. Dance Under the Cherry Tree	Gustav Holst, Ulster Orchestra, Joann Falletta	C Minor	3	5A	103 BPM
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo	Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	F Major	5	7B	167 BPM
Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…"	Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, The Monteverdi Choir, John Eliot Gardiner	B♭ Minor	1	3A	172 BPM
The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls	Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra	B♭ Major	3	6B	115 BPM
Petrouchka: Fête populaire de la semaine grasse	Ferenc Fricsay, Berliner Philharmoniker	B♭ Major	5	6B	73 BPM
Daphnis et Chloé, M. 57 / Première partie: Danse religieuse - Modéré	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin	A Major	1	11B	174 BPM
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo	Jean Sibelius, Leonard Bernstein, New York Philharmonic	B♭ Major	3	6B	98 BPM
Schoenberg: Verklärte Nacht, Op. 4: I. Grave (1943 Version)	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra	D Minor	1	7A	174 BPM
Copland: Symphony No. 3: III. Andantino quasi allegretto -	Aaron Copland, San Francisco Symphony, Michael Tilson Thomas	E Minor	0	9A	71 BPM
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio – Allegro molto	Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan	E Minor	1	9A	115 BPM
Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole	Edward Elgar, Orpheus Chamber Orchestra	F Minor	0	4A	124 BPM
Romeo and Juliet, Op. 64 - Act 1: The Fight	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	C Major	4	8B	108 BPM
Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco	Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn	E Minor	1	9A	111 BPM
Gayane Suite No. 1: IV. Matsak and Armen	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	B Major	6	1B	90 BPM