Michael Roberts's 'Floor Exercise #1 Moderate 4/4 4 Bar Intro' had a release date set for January 24, 2024. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Floor Exercise #1 Moderate 4/4 4 Bar Intro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael Roberts's "Modern Dance Class, Vol. 2" album is number 7 out of 25. On top of that, United States appears to be the country where this track was created. In terms of popularity, Floor Exercise #1 Moderate 4/4 4 Bar Intro is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Floor Exercise #1 Moderate 4/4 4 Bar Intro by Michael Roberts to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Plies (Liebestraum No.3 by F. Liszt) | Franz Liszt, 신나래 | E♭ Major | 2 | 5B | 122 BPM | ||
| Battement Tendu Roudnev, Vol. 2 | Marina Stolyar, Dmitri Roudnev | A Minor | 1 | 8A | 77 BPM | ||
| 愛の夢 (Strech&Battemens1) | Miwa Hoshi | E♭ Major | 1 | 5B | 112 BPM | ||
| Warm up 3/4 | Jorge L. Martínez | G Minor | 2 | 6A | 109 BPM | ||
| Floor Exercise #3 | Michael Roberts | C Minor | 3 | 5A | 122 BPM | ||
| Jump #2 | Sky Tan | G Minor | 3 | 6A | 203 BPM | ||
| Barre: Frappés et petits battements sur le coup de pied | Nolwenn Collet | A Major | 1 | 11B | 82 BPM | ||
| Pas Échappée Pointe. Metre 4/4. | Vadim Proshich, MetodoVadim | E♭ Major | 1 | 5B | 89 BPM | ||
| Adagio 2 3x4 | Jorge L. Martínez | G Major | 4 | 9B | 140 BPM | ||
| Plies #2 | Michael Roberts | E♭ Major | 2 | 5B | 80 BPM | ||
| Frappes (with Repeat) | Miro Magloire, Wilhelm Burmann | G Major | 2 | 9B | 81 BPM | ||
| String Quartet (Ronds de Jambe à Terre) | Miwa Hoshi | F♯ Minor | 2 | 11A | 80 BPM | ||
| Tango 2/4 (El Choclo) | The Ballet Pianist | D Minor | 3 | 7A | 126 BPM | ||
| Grand Allegro 4/4 (Hungarian Dance n°2) | The Ballet Pianist | E♭ Major | 1 | 5B | 120 BPM | ||
| Stretch/Adagio: Barre Technique | David Howard, Joe Cross | E♭ Major | 2 | 5B | 112 BPM | ||
| Bewitched, Bothered and Bewildered - Warm up | Peter James | E♭ Major | 2 | 5B | 163 BPM | ||
| Plies. Flowing 6/8, 64 Measures, 16-8's | Finis Jhung & Bill Brown | B♭ Major | 0 | 6B | 102 BPM | ||
| Sans Titre (No. 44) | G. I. Gurdjieff, Thomas de Hartmann, Corinne Cordier, Fernando Del Verme | F Minor | 1 | 4A | 95 BPM | ||
| Les pliés | Xavier-Edouard Horemans | C Major | 1 | 8B | 111 BPM | ||
| Tendu 1 | Søren Bebe | D Minor | 1 | 7A | 102 BPM | ||
| Demi Plié, Grand Plie, Port De Bras. Metre 4/4. | Vadim Proshich, MetodoVadim | D Major | 4 | 10B | 136 BPM | ||
| Music for Ballet Class, Series 2: Plies | Massimiliano Greco | F Major | 2 | 7B | 73 BPM | ||
| Court Jesters (From "Final Fantasy IX") | Animalisa Keys, Pablo Enver | A Minor | 1 | 8A | 91 BPM | ||
| Plies Giselle | Debbi Parks | E Major | 1 | 12B | 107 BPM | ||
| Someone Like You (Pliés) | Gill Civil | A Major | 2 | 11B | 120 BPM |