"What Are You Doing New Year's Eve?" by Stephen Powell, Frank Loesser had its release date on November 25, 2022. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since What Are You Doing New Year's Eve? only contains only one song in the album, we like to consider this song as a single. In terms of popularity, What Are You Doing New Year's Eve? is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since What Are You Doing New Year's Eve? by Stephen Powell, Frank Loesser has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With What Are You Doing New Year's Eve? being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Prayer | Will Liverman, Lauren Snouffer | F♯ Major | 2 | 2B | 86 BPM | ||
| I Loved You - Instrumental | Lisa Cullum | F Minor | 0 | 4A | 119 BPM | ||
| La traviata, Act I: Libiamo ne lieti calici | Giuseppe Verdi, Marta Torbidoni, Michail Michailov, Anton Keremidtchiev, Elisabetta Lombardi, Emilia Kircheva, Alexander Baranov, Orfey Petrov, Nikola Ivanov, Peter Petrov, Sofia Philharmonic Orchestra, Ljubka Biagioni | B♭ Major | 1 | 6B | 104 BPM | ||
| 'O marenariello | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | D Major | 2 | 10B | 139 BPM | ||
| Braveship: IX. Parade of Mammoths | Matt Cook, Azra's Orchestra | A Major | 3 | 11B | 82 BPM | ||
| Independence | Alex Wakim, Budapest Scoring | C Major | 2 | 8B | 121 BPM | ||
| Smile | Zada Records, John Riesen | F Major | 5 | 7B | 197 BPM | ||
| Nature Boy | Ben Jones, Laurence Hobgood | G Minor | 1 | 6A | 138 BPM | ||
| Four Dickinson Songs: IV. If I... | Stephen Powell | B Minor | 1 | 10A | 76 BPM | ||
| Lucia di Lammermoor / Act 3: Ardon gl’incensi | Gaetano Donizetti, Nadine Sierra, Capella Cracoviensis, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 0 | 5B | 81 BPM | ||
| Besos Robados | Jorge Del Moral, Javier Camarena | B Minor | 4 | 10A | 134 BPM | ||
| Once Upon This Time | Lisa Marie Simmons, Marco Cremaschini, Gillian Margot, Marco Cocconi | E♭ Major | 6 | 5B | 120 BPM | ||
| Return to Shore | Kate Baker, Vic Juris | A Minor | 1 | 8A | 169 BPM | ||
| Overture | The Light in the Piazza Orchestra, Adam Guettel | A Minor | 2 | 8A | 138 BPM | ||
| Fedora: Amor ti vieta | Umberto Giordano, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Major | 1 | 11B | 83 BPM | ||
| Harlem Nocturne | Sylvia Brooks | E Minor | 6 | 9A | 105 BPM | ||
| Cabaret Songs, Vol. 1: V. Song of Black Max - As Told by the De Kooning Boys | Stephen Powell | E Minor | 0 | 9A | 90 BPM | ||
| La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
| Empty Chairs and Empty Tables (Les Misérables) | Boubil, Claude-Michel Schönberg, Matthew Goodgame/Air Studios Orchestra/Gareth Valentine, Gareth Valentine | A Minor | 1 | 8A | 159 BPM | ||
| Chasing Cars/The Rose | CelloVoci, Effie Passero, Branden & James | C Major | 3 | 8B | 112 BPM | ||
| Mattinata (Orch. Luck) | Ruggero Leoncavallo, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | B Major | 3 | 1B | 84 BPM | ||
| If I Sing (From "Closer Than Ever") | Stephen Powell | A♭ Major | 1 | 4B | 81 BPM | ||
| Norma, Act 2 Scene 3: Deh! Non volerli vittime (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| The Man That Got Away | Sarah Uriarte Berry | C Major | 4 | 8B | 78 BPM | ||
| Amichai and Pie | Joel Goodman | G Minor | 0 | 6A | 67 BPM |