South German Philharmonic's 'Messiah, All We Like Sheep Have Gone Astray' had a release date set for April 1, 2010. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 100 World Classical Masterpieces, so we believe that "Messiah, All We Like Sheep Have Gone Astray" is a single. In terms of popularity, Messiah, All We Like Sheep Have Gone Astray is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Messiah, All We Like Sheep Have Gone Astray by South German Philharmonic is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata No. 16 C major (Sonata facile) , KV 545 (1788) 1 allegro | Giuliano Sacchetto-Giordano Trivellato, Gold Heart Mother | C Major | 0 | 8B | 95 BPM | ||
| Vivaldi: Gloria in D Major, RV 589: III. Laudamus te | Antonio Vivaldi, Riccardo Muti, Lucia Valentini Terrani, Teresa Berganza, New Philharmonia Orchestra | D Major | 4 | 10B | 119 BPM | ||
| Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 4, Chorus. "Come Ye Sons of Art Away" | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, The Monteverdi Choir, Monteverdi Orchestra | D Major | 1 | 10B | 68 BPM | ||
| Violin Concerto in E Minor, Op.64 (1997 Digital Remaster): II. Andante (excerpt) | Yehudi Menuhin, Philharmonia Orchestra, Efrem Kurtz | C Major | 1 | 8B | 102 BPM | ||
| Verdi: Messa da Requiem: X. Confutatis - Dies irae | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | E Major | 2 | 12B | 164 BPM | ||
| Messias, HV 56: XXVIII. Halleluja | George Frideric Handel, Alexandr Dmitrijew, Lettisches Sinfonieorchester | D Major | 4 | 10B | 112 BPM | ||
| Allegro 2 (Concierto Para Mandolina Do Mayor) | Cámara de la Escala De Milan | B Major | 3 | 1B | 91 BPM | ||
| Violin Concerto In D Major, Op. 35: Violin Concerto In D Major, Op. 35: II. Canzonetta: Andante | Slovak Philharmonic, Takako Nishizaki, Pyotr Ilyich Tchaikovsky | E♭ Major | 0 | 5B | 177 BPM | ||
| Mozart: Requiem in D Minor, K. 626: II. Kyrie | Nikolaus Harnoncourt, Vienna State Opera Chorus | D Minor | 2 | 7A | 84 BPM | ||
| Symphony No.4 in F Major: 1. Allegro | William Boyce, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 94 BPM | ||
| Symphonie Fantastique - March To The Scaffold | Paris France Royal Philharmonic Orchestra | G Minor | 3 | 6A | 79 BPM | ||
| Waltz from Maskarade | Radio Orchestra Berlin | C Major | 5 | 8B | 97 BPM | ||
| Piano Concerto No. 20 in D Minor, K. 466: II. Romanze | Artist Unknown | B♭ Major | 1 | 6B | 181 BPM | ||
| Roses from the South Waltz, Op. 388 | Johann Strauss II, Vienna Volksoper Orchestra, Peter Falk | F Major | 1 | 7B | 190 BPM | ||
| Étude Op. 25, No. 9, "Butterfly": Allegro assai in G-Flat Major | Vitalij Margulis | D♭ Major | 3 | 3B | 105 BPM | ||
| Brandenburg Concerto No. 1 in F Major, BWV 1046: I. Allegro | Johann Sebastian Bach, Leningrad Chamber Orchestra | F Major | 3 | 7B | 76 BPM | ||
| Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: V. Bourrée | Georg Philipp Telemann, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 137 BPM | ||
| Holberg Suite Op.40 - Prelude | Radio Orchestra Berlin | G Major | 2 | 9B | 140 BPM | ||
| Kinderszenen, Op. 15, No. 7: Träumerei | Slovak State Philharmonic Orchestra, Christian Ehwald | F Major | 0 | 7B | 75 BPM | ||
| Concerto for Violin and Strings in F minor, Op.8, No.4, R.297 "L'inverno": 2. Largo | Antonio Vivaldi, Catherine Mackintosh, Nigel North, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 75 BPM | ||
| Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 115 BPM | ||
| Chopin - Etude n.1 op 25 | Giuliano Sacchetto-Giordano Trivellato, Royal Wedding Orchestra | A♭ Major | 1 | 4B | 87 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation 22 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | G Minor | 2 | 6A | 112 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 7 : III. Allegro | Arcangelo Corelli, Quido Holbling, Anna Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 1 | 10B | 134 BPM | ||
| Pavane Op.50 | Paris France Royal Philharmonic Orchestra | F♯ Minor | 2 | 11A | 87 BPM |