Antonio Vivaldi, Anner Bylsma, Tafelmusik Baroque Orchestra, Jeanne Lamon's ' "Concerto for Violoncello, Strings and Basso Continuo in A Minor, RV 418: I. Allegro" was released on its scheduled release date, 1992. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vivaldi: Concertos for Strings by Antonio Vivaldi, Tafelmusik Baroque Orchestra. The song's track number on the album is #1 out of 27 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Concerto for Violoncello, Strings and Basso Continuo in A Minor, RV 418: I. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Concerto for Violoncello, Strings and Basso Continuo in A Minor, RV 418: I. Allegro by Antonio Vivaldi, Anner Bylsma, Tafelmusik Baroque Orchestra, Jeanne Lamon has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Concerto for Violoncello, Strings and Basso Continuo in A Minor, RV 418: I. Allegro being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonates sans basse: Sonata No. 5 in B Minor, TWV 40:105: Largo | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | B♭ Minor | 0 | 3A | 61 BPM | ||
| Concerto 2 in D Major, Op. 7: II. Allegro ma non troppo | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Major | 2 | 3B | 97 BPM | ||
| Concerto Grosso in B-Flat Major, Op. 1, No. 3: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Minor | 3 | 5A | 155 BPM | ||
| Forqueray, A: Pièces de viole, Suite No. 1 en ré mineur: V. La Portugaise. Marqué et d'aplomb | Antoine Forqueray, Jean Rondeau, Thomas Dunford | D♭ Minor | 2 | 12A | 126 BPM | ||
| Himmelskönig, sei willkommen, BWV 182: Sonata | Johann Sebastian Bach, Regine Jurda, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | F♯ Major | 0 | 2B | 96 BPM | ||
| Flute Sonata in E Minor: III. Presto | Frederick the Great, Berliner Barock Compagney | A♭ Minor | 1 | 1A | 128 BPM | ||
| Concerto No. 7 in G Minor After D. Scarlatti: IV. Allegro affettuoso | Charles Avison, Jeanne Lamon, Tafelmusik Baroque Orchestra | A♭ Major | 2 | 4B | 131 BPM | ||
| Viola Concerto in G Major, TWV 51:G9: II. Allegro | Georg Philipp Telemann, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | E♭ Minor | 0 | 2A | 84 BPM | ||
| Concerto Grosso in B-Flat Major, Op. 1, No. 3: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 133 BPM | ||
| Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
| Viola d'amore Concerto in F Major, RV 97: II. Largo | Antonio Vivaldi, Rachel Barton Pine, Ars Antigua | D♭ Minor | 1 | 12A | 141 BPM | ||
| Concerto for Violin and Bassoon in G Minor: II. Grave | Giuseppe Antonio Brescianello, David Plantier, Eckhard Lenzin, La Cetra Barockorchester Basel, Vaclav Luks | A♭ Major | 2 | 4B | 131 BPM | ||
| Concerto for 2 Trumpets in C Major, RV 537: I. Allegro | Antonio Vivaldi, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward Tarr | B Major | 2 | 1B | 111 BPM | ||
| Concerto in C Major, Op. 17 No. 1: II. Lentement | Jacques-Christoph Naudot, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | B Minor | 0 | 10A | 115 BPM | ||
| "Concerto comique" No. 25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
| Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
| Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | B Minor | 1 | 10A | 87 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 9: II. Allemanda: Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | F Major | 3 | 7B | 117 BPM | ||
| Antonio Vivaldi: Concerto For 2 Violins In A Minor, Op. 3 No. 8 - Allegro (Mouvement 1) | Tafelmusik Baroque Orchestra | A♭ Minor | 2 | 1A | 115 BPM | ||
| Concerto for Violin and Strings in E, Op. 8, No. 1, R.269 "La Primavera": 2. Largo | Antonio Vivaldi, Christopher Hirons, Nigel North, Academy of Ancient Music, Christopher Hogwood | C Minor | 1 | 5A | 77 BPM | ||
| Symphony in C Major, J-C 4: I. Allegrissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Burlesque de Don Quixotte - Ouverture | Tafelmusik Baroque Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
| Abdelazer, Z.570: Air - Jig - Hornpipe - Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 172 BPM | ||
| Concerto in G Major, S. 215: I. Andante e staccato | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E♭ Minor | 0 | 2A | 72 BPM | ||
| Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": II. Largo Andante | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 70 BPM |