On June 23, 2000, the song "Banna The To Babosa Su Dar Gaya" was released by Bhanwar Rao, Arjun Rao. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bhanwar Rao, Arjun Rao's "Kesariya Banna Rajasthani Lokgeet" album is number 4 out of 7. In terms of popularity, Banna The To Babosa Su Dar Gaya is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Banna The To Babosa Su Dar Gaya by Bhanwar Rao, Arjun Rao to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Naadole Nagri Mein Tharo Devro | Bhanwar Rao, Gunesh Giri Maharaj, Prakash Mali, Ramesh Mali, Kushal Barath | D Major | 7 | 10B | 109 BPM | ||
| Mhe To Lulta Lulta Aaungi | Gopal Bajaj | B♭ Major | 9 | 6B | 81 BPM | ||
| Hichki | Champa Methi | F Major | 9 | 7B | 127 BPM | ||
| Piya Pardesiya | Devinder Kohinoor | D Major | 5 | 10B | 119 BPM | ||
| Ye Duniya Kabhi Na Hui Kisi Ki | Pt. Gyanendra Sharma | B♭ Major | 7 | 6B | 98 BPM | ||
| Shree Ganesh Vandana | Mannraj Parihar | G Major | 7 | 9B | 134 BPM | ||
| Man Mamta Me Pagal Ho | Satpal Dausa | G Major | 9 | 9B | 132 BPM | ||
| Maiya Ki Khel Rahi | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Bhangiya Mein Maja Ka Paie | Kalpana Patowary | B♭ Minor | 5 | 3A | 154 BPM | ||
| Kaman Gari Tharo Veero | Bhagwan Sahay Sen | B Minor | 9 | 10A | 91 BPM | ||
| Bangaru Kovelo | Anil Kumar | A Minor | 8 | 8A | 139 BPM | ||
| Vaikunta Vasude | Jadala Ramesh | A Minor | 8 | 8A | 101 BPM | ||
| Rea Buggi Datia | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | A Minor | 7 | 8A | 84 BPM | ||
| Mann Ke Manoti La | Gorelal Burman, Shantilal Shah | D♭ Major | 7 | 3B | 127 BPM | ||
| Darshan Diya Maa | Dilip Darbhangiya | F♯ Major | 7 | 2B | 142 BPM | ||
| Geree Geree Birkha Bhaiya | Prakash Mali | D♭ Major | 6 | 3B | 95 BPM | ||
| Jai Jai Jagdambe Kaali | Ravindra Sathe | G Major | 8 | 9B | 91 BPM | ||
| Manika Tum Humka Dekha | Rampat Harami | F♯ Major | 9 | 2B | 106 BPM | ||
| Om Namah Shivay - Maithili | Sharda Sinha, Vandana Sinha | D♭ Minor | 6 | 12A | 154 BPM | ||
| Lugra Chaghahu Navagad Ke | Dukalu Yadav | E♭ Minor | 7 | 2A | 110 BPM | ||
| Tukdi Chhai Na Sukhadi Chhai | Narendra Singh Negi, Anuradha Nirala | F♯ Major | 4 | 2B | 104 BPM | ||
| Ankhiya Me Bhar Ke Asarwa | Bharat Sharma | B♭ Major | 7 | 6B | 145 BPM | ||
| Baari Umeer Mori | Asha Bhosle | G Major | 9 | 9B | 116 BPM | ||
| Sakhi Dekh Shyam Shingaar | Rajendra Vyas | D Minor | 8 | 7A | 90 BPM | ||
| Lal Bani Re Vaaste | Bhanwar Rao, Arjun Rao | D♭ Minor | 8 | 12A | 114 BPM |