On February 19, 1936, the song "The Skeleton In The Closet" was released by Putney Dandridge. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. The Skeleton In The Closet's duration is considered a little bit shorter than the average duration of a typical track. Since The Skeleton In The Closet only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United States. In terms of popularity, The Skeleton In The Closet is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Skeleton In The Closet by Putney Dandridge having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Here Comes the Boogey Man | Henry Hall, The BBC Dance Orchestra | F Major | 4 | 7B | 130 BPM | ||
| Big Ten Inch Record | Bullmoose Jackson | A♭ Major | 5 | 4B | 172 BPM | ||
| The Skeleton In The Closet | Putney Dandridge | G Minor | 6 | 6A | 102 BPM | ||
| Drop Me Off In Harlem | Charlie Barnet, Charlie Barnet & His Orchestra | G Minor | 6 | 6A | 149 BPM | ||
| I Wanna Be Loved by You - Remastered | Helen Kane | A♭ Major | 1 | 4B | 126 BPM | ||
| Ghost Riders | Scatman Crothers | E♭ Major | 3 | 5B | 141 BPM | ||
| Night And Day | Billie Holiday | A♭ Major | 2 | 4B | 97 BPM | ||
| Sweet and Low Down | Paul Whiteman & His Orchestra | F Major | 4 | 7B | 130 BPM | ||
| Taint No Sin (To Take Off Your Skin) | Fred Hall | B Major | 4 | 1B | 105 BPM | ||
| Get Out and Get Under the Moon | Helen Kane | F Major | 4 | 7B | 130 BPM | ||
| Girl in the 4th Dimension | Sheldon Allman | G Major | 8 | 9B | 145 BPM | ||
| A Pretty Girl Is Like a Melody | Rudy Vallee | C Major | 2 | 8B | 122 BPM | ||
| That Little Old Graverobber Me | Don Hinson & The Rigamorticians | D♭ Major | 5 | 3B | 96 BPM | ||
| Dipsy Doodle | Larry Clinton | B Major | 4 | 1B | 179 BPM | ||
| Deep In the Heart of Texas | Alvino Rey | E♭ Major | 4 | 5B | 101 BPM | ||
| Crazy Words - Crazy Tune (Vo-Do-De-O) | Irving Aaronson and His Commanders | E♭ Major | 2 | 5B | 172 BPM | ||
| Old Man Harlem | Rudy Vallee and His Connecticut Yankees | F Major | 4 | 7B | 130 BPM | ||
| Underneath the Arches | Henry Hall, The BBC Dance Orchestra | E Minor | 5 | 9A | 123 BPM | ||
| Ain't We Got Fun | Fanny Brice | G Major | 2 | 9B | 67 BPM | ||
| Harlem on Saturday Night | Lil Hardin Armstrong | F Major | 4 | 7B | 130 BPM | ||
| Tarzan of Harlem | Cab Calloway | C Minor | 5 | 5A | 112 BPM | ||
| Purple People Eater Meets The Witch Doctor | The Big Bopper | E♭ Major | 7 | 5B | 159 BPM | ||
| That's The Good Old Sunny South | Emmett Miller | D Major | 2 | 10B | 163 BPM | ||
| Forty-Second Street | The Boswell Sisters | B♭ Minor | 1 | 3A | 103 BPM | ||
| Steel Guitar Rag | Bob Wills & His Texas Playboys | E Major | 5 | 12B | 110 BPM |