"String Quartet No. 14 in C-Sharp Minor, Op. 131: 3. Allegro moderato" by Ludwig van Beethoven, Takács Quartet had its release date on January 1, 2004. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 7 out of 31 in Beethoven: String Quartets Vol.3 by Ludwig van Beethoven, Takács Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, String Quartet No. 14 in C-Sharp Minor, Op. 131: 3. Allegro moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No. 14 in C-Sharp Minor, Op. 131: 3. Allegro moderato by Ludwig van Beethoven, Takács Quartet is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 6 Nocturnes, Op. 186: Nocturne No. 2: Allegretto ma un poco vivo | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | C Major | 1 | 8B | 97 BPM | ||
| String Quartet No. 5 in A Major, Op. 18 No. 5: 2. Menuetto | Ludwig van Beethoven, Emerson String Quartet | A Major | 1 | 11B | 76 BPM | ||
| Sonata No. 30 in E Major, Op. 109 - I. Vivace, adagio espressivo | Beethoven | E Major | 0 | 12B | 105 BPM | ||
| Sonata No.3 A major Op.69 - 3 Mov | Josef Karlicek, Petr Karlicek | E Major | 0 | 12B | 105 BPM | ||
| Brahms: String Sextet No. 1 in B-Flat Major, Op. 18: III. Scherzo - Allegro molto | Johannes Brahms, Renaud Capuçon, Christoph Koncz, Gérard Caussé, Marie Chilemme, Gautier Capuçon, Clemens Hagen | F Major | 3 | 7B | 102 BPM | ||
| Armide, Acte I: Ouverture | Jean-Baptiste Lully, Louis-Joseph Francoeur, Le Concert Spirituel, Herve Niquet | F Minor | 3 | 4A | 166 BPM | ||
| String Quintet No.1 in F, Op.88: 1. Allegro non troppo, ma con brio | Johannes Brahms, Gérard Caussé, Hagen Quartett | F Major | 0 | 7B | 90 BPM | ||
| Beethoven: Fidelio, Op. 72, Act 1: "O welche Lust" (Chorus, Prisoners) | Ludwig van Beethoven, Sir Simon Rattle, Thomas Ebenstein, Ion Tibrea, Arnold Schoenberg Chor, Berliner Philharmoniker | B♭ Major | 1 | 6B | 118 BPM | ||
| Sonata for Violin and Piano No. 1 in F Minor, Op. 80: I. Andante assai | Sergei Prokofiev, Gidon Kremer, Martha Argerich | A♭ Major | 0 | 4B | 97 BPM | ||
| Piano Trio No. 2 In E Flat Major, Op. 100, D. 929: III. Scherzando - Allegro Moderato - Trio | Stuttgart Piano Trio, Franz Schubert | A♭ Major | 1 | 4B | 178 BPM | ||
| String Quartet in E-Flat Major, Op. 71 No. 3: I. Vivace | Franz Joseph Haydn, Maxwell Quartet | E♭ Major | 1 | 5B | 136 BPM | ||
| String Quartet No. 13 in G Major, Op. 106, B. 192: I. Allegro moderato | Antonín Dvořák, Pavel Haas Quartet | F Major | 1 | 7B | 158 BPM | ||
| Symphony No. 9 In D Minor, Op. 125, "Choral": I. Allegro Ma Non Troppo, Un Poco Maestoso | Nicolaus Esterhazy Chorus, Manfred Fink, Hasmik Papian, Ruxandra Donose, Nicolaus Esterhazy Sinfonia, Claudio Otelli, Friedrich Schiller, Ludwig van Beethoven | G Minor | 1 | 6A | 76 BPM | ||
| Soirées de Nazelles, FP 84: VI. Le contentement de soi | Francis Poulenc, Emmanuel Despax | C Major | 0 | 8B | 134 BPM | ||
| String Quartet No. 1 in C Major, Op. 49: I. Moderato | Dmitri Shostakovich, Carducci String Quartet | G Minor | 2 | 6A | 144 BPM | ||
| Die Kunst der Fuge, BWV 1080: Contrapunctus VIII a 3 | Johann Sebastian Bach, Keller Quartett | D Minor | 1 | 7A | 76 BPM | ||
| Symphony No. 4 in G Major: II. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin | C Major | 0 | 8B | 135 BPM | ||
| Die Jahreszeiten, Hob. XXI:3, Der Frühling: VIII. Freudenlied mit abwechselndem Chor der Jugend, "Oh, wie lieblich ist der Anblick" | Franz Joseph Haydn, Christina Landshamer, Maximilian Schmitt, Florian Boesch, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 1 | 10B | 68 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, The Representation of Chaos | Joseph Haydn, Handel and Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D♭ Major | 1 | 3B | 93 BPM | ||
| Sinfonia In E Flat Major, Wq. 183/2, H. 664: I. Allegro Di Molto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
| Prokofiev: String Quartet No. 2, Op. 92: II. Adagio | Sergei Prokofiev, Quartetto Italiano | E Major | 0 | 12B | 105 BPM | ||
| Mendelssohn-Hensel, F: String Quartet in E-Flat Major: II. Allegretto | Fanny Mendelssohn, Quatuor Ébène | C Minor | 3 | 5A | 151 BPM | ||
| Piano Quartet in E flat, Op. 47: 2. Scherzo (Molto vivace) | Robert Schumann, Menahem Pressler, Emerson String Quartet | G Minor | 1 | 6A | 88 BPM | ||
| Dvořák: Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": V. Allegro - Meno mosso | Antonín Dvořák, Beaux Arts Trio | A Minor | 1 | 8A | 93 BPM | ||
| Krommer : Clarinet Concerto in E flat major Op.36 : II Adagio | Franz Krommer, Sharon Kam, Jörg Faerber, Württemberg Chamber Orchestra | C Minor | 0 | 5A | 126 BPM |