"Se com'il biondi crin de la mia Filli" by Cipriano de Rore, Consort Of Musicke, Anthony Rooley had its release date on March 19, 2018. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Se com'il biondi crin de la mia Filli's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 14 in Cipriano de Rore: Il quinto libro di Madrigali (1568) by Cipriano de Rore, Consort Of Musicke, Anthony Rooley. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Se com'il biondi crin de la mia Filli is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Se com'il biondi crin de la mia Filli by Cipriano de Rore, Consort Of Musicke, Anthony Rooley is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
| La Pacifique | Louis Constantin, Le Poème Harmonique, Vincent Dumestre | F Major | 1 | 7B | 86 BPM | ||
| Lachrimae or Seven Tears: III. Lachrimae gementes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Exaudiat me Dominus | Cipriano de Rore, Weser-Renaissance Bremen, Manfred Cordes | C Major | 2 | 8B | 84 BPM | ||
| Missa sopra Ecco si beato giorno: Agnus Dei I | Alessandro Striggio, Le Concert Spirituel, Hervé Niquet | E Major | 0 | 12B | 57 BPM | ||
| Fantaisie | Lorenzini, Le Poème Harmonique, Vincent Dumestre | A Minor | 0 | 8A | 84 BPM | ||
| Conductus flos in monte cernitur | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Margit Übellacker, Tereza Havlíková | C Major | 1 | 8B | 79 BPM | ||
| Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 70 BPM | ||
| O Rex gloriae, a 8 | Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings | E Minor | 2 | 9A | 93 BPM | ||
| Nunc dimittis | Costanzo Festa, The Marian Consort, Rory McCleery | B♭ Minor | 1 | 3A | 79 BPM | ||
| Quomodo cantabimus | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 77 BPM | ||
| Nun hab ich überwunden | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 1 | 9B | 170 BPM | ||
| The Secund Tuning: I. Mounsiers Almaine | William Corkine, Jordi Savall | F Major | 0 | 7B | 57 BPM | ||
| Airs à quatre parties, Livre I: Que feray-je? | Jean Boyer, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | D Minor | 2 | 7A | 76 BPM | ||
| Missa "Orbis factor": Kyrie | Fernão Gomes Correia, Capella Duriensis, Jonathan Ayerst | A♭ Minor | 2 | 1A | 83 BPM | ||
| Membra Jesu Nostri, BuxWV 75: Concerto [Ad latus] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Ave victorioso e sancto legno | Marchetto Cara, Tessa Bonner, James Gilchrist, Julian Podger, Jonathan Arnold | E Minor | 1 | 9A | 118 BPM | ||
| Sarabande Jeunes Zephirs | Jacques Champion de Chambonnières, Philippe Pierlot, Lucile Boulanger, Myriam Rignol | F Major | 0 | 7B | 113 BPM | ||
| Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
| Fantasia Suite in G Minor for Treble and 2 Basses, VdGS No. 1: III. Corant | John Jenkins, Fretwork | E Minor | 2 | 9A | 109 BPM | ||
| Vidimus Stellam: III. Hodie Christus Natus Est | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM | ||
| Regina caeli: II. Resurrexit, sicut dixit | Pierre de Manchicourt, El León de Oro, Marco Antonio García de Paz | G Major | 2 | 9B | 142 BPM | ||
| The silver swan | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | E Major | 0 | 12B | 44 BPM | ||
| Missa Pro Victoria: Gloria | Tomás Luis de Victoria, Michael Noone, Ensemble Plus Ultra | G Major | 2 | 9B | 69 BPM | ||
| Clemens: Ego flos campi | Jacob Clemens non Papa, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 82 BPM |