"Meu Fado Meu" by Susan Palma-Nidel, Ricardo Ribeiro had its release date on September 7, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Susan Palma-Nidel's "Lisboa à Solta" album is number 10 out of 12. In terms of popularity, Meu Fado Meu is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Meu Fado Meu by Susan Palma-Nidel, Ricardo Ribeiro to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
| As Certezas do Meu Mais Brilhante Amor | Susan Palma-Nidel | C Major | 2 | 8B | 90 BPM | ||
| Overtures For 2 Horns, 2 Oboes And Strings / Overture No. 2 In A: 2. Andante | Josef Mysliveček, Concerto Köln, Werner Ehrhardt | B Minor | 0 | 10A | 101 BPM | ||
| Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 0 | 8A | 104 BPM | ||
| Sinfonia concertante in E Flat Major for Oboe, Clarinet, Horn, Bassoon and Orch., K. 297b: II. Adagio | Wolfgang Amadeus Mozart, Stephen Taylor, David Singer, William Purvis, Steven Dibner, Orpheus Chamber Orchestra | C Major | 2 | 8B | 162 BPM | ||
| Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Sir Charles Mackerras, English Chamber Orchestra | E Major | 0 | 12B | 80 BPM | ||
| Tafelmusik II, Quartet in D Minor: III. Largo | Harry Searing, Susan Palma-Nidel, Marya Martin, Frank Morelli, Kenneth Cooper | A Major | 2 | 11B | 139 BPM | ||
| Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
| Clarinet Concerto in A Major, K. 622: III. Rondo. Allegro | Wolfgang Amadeus Mozart, Alfred Prinz, Wiener Philharmoniker, Karl Böhm | D Major | 1 | 10B | 140 BPM | ||
| Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | G Minor | 0 | 6A | 141 BPM | ||
| Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
| Concerto for Harp In C Major: III. Rondeau – Allegro agitato | François-Adrien Boieldieu, Valérie Milot, Bernard Labadie | C Minor | 0 | 5A | 105 BPM | ||
| Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Allegro ma non troppo) - Live | Ludwig van Beethoven, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons | F Major | 1 | 7B | 151 BPM | ||
| Federico's Little Songs for Children: No. 3, Canción cantada | George Crumb, Susan Narucki, Susan Palma-Nidel, Stacey Shames | D♭ Minor | 3 | 12A | 134 BPM | ||
| Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM | ||
| Ao Longo de um Claro Rio de Agua Doce | Susan Palma-Nidel | C Major | 3 | 8B | 130 BPM | ||
| Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | ||
| Os Índios de Meia Praia | Susan Palma-Nidel | C Major | 5 | 8B | 101 BPM | ||
| Federico's Little Songs for Children: No. 7, Canción tonta | George Crumb, Susan Narucki, Susan Palma-Nidel, Stacey Shames | F Major | 1 | 7B | 133 BPM | ||
| Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
| Masques et bergamasques Suite, Op. 112: III. Gavotte | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | ||
| Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 106 BPM | ||
| Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Alison Balsom | D Major | 3 | 10B | 102 BPM | ||
| Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
| High & Happy | Susan Palma-Nidel | A Minor | 6 | 8A | 130 BPM |