"TZM Rework - Djoka Remix" by Andiamo, Djoka had its release date on May 6, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Reworked 2013". In this album, this song's track order is #4. Based on our statistics, TZM Rework - Djoka Remix's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With TZM Rework - Djoka Remix by Andiamo, Djoka having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
| La alegría del batallón: "Aquí está quien lo tiene tó y no tiene ná" (Tajuña) | Jose Serrano, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D Major | 1 | 10B | 75 BPM | ||
| Tosca: : Act I - Aria ?Recondita armonia? (Cavaradossi) | Bolshoi Theatre Orchestra Moscow, Andrei Tchistyakov, Zurab Sotkilava | F Major | 3 | 7B | 172 BPM | ||
| Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
| El barberillo de Lavapiés, Acto I: Marquesita, Don Luis, Paloma, Lamparilla y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | F Major | 4 | 7B | 122 BPM | ||
| Bellini: I puritani: "Il rival salvar tu die" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Galway Bay | Colehan, Josef Locke, Debroy Somers | E♭ Major | 2 | 5B | 92 BPM | ||
| Lucia di Lammermoor / Act 3: Spargi d'amaro pianto | Gaetano Donizetti, Nadine Sierra, Capella Cracoviensis, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 1 | 5B | 89 BPM | ||
| Los gavilanes, Acto II: Amigos, siempre amigos | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | B♭ Major | 3 | 6B | 135 BPM | ||
| La Verbena de la Paloma: Escena | Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Renato Cesari | E Major | 2 | 12B | 143 BPM | ||
| Il Barbiere di Siviglia: A un dottor della mia sorte - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | F♯ Major | 5 | 2B | 86 BPM | ||
| Carmen, Act IV: Qu'avez-vous fait de la Carmencita? – March & Chorus. Les voici! les voici! | Georges Bizet, Jean-Noel Sissia, Isabelle Karajan, David Clair, Claudine Coster, Berliner Philharmoniker, Herbert von Karajan, Schöneberger Sängerknaben, Choeur de l'Opéra de Paris, Walter Hagen-Groll | F Minor | 1 | 4A | 95 BPM | ||
| Katiuska - Noche hermosa | Pablo Sorozábal | G Major | 3 | 9B | 85 BPM | ||
| Agnus Dei | Georges Bizet, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | E♭ Major | 1 | 5B | 90 BPM | ||
| Webber/ Arr Schifrin: Around the World Part 2: Phantom of the Opera - All I Ask Of You | Andrew Lloyd Webber, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | E♭ Major | 2 | 5B | 76 BPM | ||
| Maria Marì | Andiamo | D Minor | 2 | 7A | 172 BPM | ||
| Dale Fuego al Chaparral / Yo Tenía, Yo Tenía - Remastered | Jesús Gracia, Piedad Gil, Rondalla Santamaría, Florencio Santamaría | C Major | 4 | 8B | 85 BPM | ||
| Der Zigeunerbaron, IJS 486: Wer uns getraut | Johann Strauss II, Rudolf Schock, Erzebeth Hazy, Robert Stolz | D Major | 3 | 10B | 100 BPM | ||
| Vals del caballero de Gracia | Federico Chueca, Ataúlfo Argenta, Ana Maria Iriarte, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado | D♭ Major | 2 | 3B | 119 BPM | ||
| Goma | EL CARAMELO | D♭ Major | 2 | 3B | 119 BPM | ||
| Alba sobre el Bósforo | Wills Byers | E Minor | 8 | 9A | 168 BPM | ||
| Lehár: Der Zarewitsch, Act 1: No. 5, Wolgalied, "Allein, wieder … Es steht ein Soldat am Wolgastrand" (Zarewitsch) | Franz Lehár, Thomas Hampson, Franz Welser-Moest, Franz Welser-Möst, London Philharmonic Orchestra | G Major | 1 | 9B | 165 BPM | ||
| El Barberillo de Lavapies (Canción de Paloma) | Teresa Berganza | A Major | 3 | 11B | 143 BPM | ||
| La Canción del Olvido: "Canción de Rosina" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Pilar Lorengar | G Major | 2 | 9B | 106 BPM | ||
| Rigoletto : Bella figlia dell'amore | Orchestra Italiana | D♭ Major | 2 | 3B | 119 BPM |