Antoine Forqueray, Scott Ross's ' "Allemande" was released on its scheduled release date, September 1, 1998. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 13 in Forqueray / Dyphly / Bach by Antoine Forqueray, Scott Ross. In terms of popularity, Allemande is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Allemande by Antoine Forqueray, Scott Ross is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ouverture in E Minor: II. Les plaisirs | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 2 | 7A | 114 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Dulcis Jesu, pie Deus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Remerciment De Corelli... - Le Parnasse Ou L'Apotheose De Corelli | Jordi Savall, François Couperin | B♭ Minor | 3 | 3A | 101 BPM | ||
| Quatrième Suite: IV. La Bournonville | Antoine Forqueray, Atsushi Sakai, Christophe Rousset, Marion Martineau | F♯ Minor | 2 | 11A | 57 BPM | ||
| Manuscrit de Cracovie, Suite in D Minor: Ballet | Nicolas Hotman, Lucile Boulanger | D♭ Minor | 1 | 12A | 60 BPM | ||
| Canzoni overo sonate concertate, Op. 12: No. 4, La Treccha | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Pieces de viole, Suite No. 5 in C Minor: VII. Jupiter: Modérément | Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Egüez, Guido Morini | B Minor | 0 | 10A | 79 BPM | ||
| Gaultier le Vieux: Suite en ré mineur: II. Tombeau de Mézangeau (Transcr. Rondeau pour clavecin) | Ennemond Gaultier, Jean Rondeau | E♭ Major | 4 | 5B | 90 BPM | ||
| Prelude II | Mr. De Machy, Jordi Savall | A Minor | 0 | 8A | 139 BPM | ||
| Pièces De Viole - 1Ere Suite. La Couperin | Jordi Savall, Antoine Forqueray | F♯ Major | 0 | 2B | 118 BPM | ||
| Mystery Sonata No. 10 "The Crucifixion": II. Aria - Variations | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | ||
| La Forqueray (Vivement et d'aplomb) | Antoine Forqueray, Jean-Baptiste Forqueray, Justyna Woś | D♭ Major | 0 | 3B | 106 BPM | ||
| Pièce à trois violes en Ré Mineur: I. Allemande | Antoine Forqueray, Atsushi Sakai, Christophe Rousset, Marion Martineau, Isabelle Saint-Yves | D Major | 1 | 10B | 98 BPM | ||
| Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Preludio (Adagio) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 130 BPM | ||
| Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
| Flute Concerto No. 2 in C Minor: II. Allemande | Michel Pignolet de Montéclair, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | G Minor | 0 | 6A | 78 BPM | ||
| Manuscrit de Tournus, Suite in D Minor: Allemande | Monsieur de Sainte-Colombe, Lucile Boulanger | D♭ Minor | 1 | 12A | 103 BPM | ||
| Pass'emezzo antico | Diego Ortiz, Paolo Pandolfo | E Minor | 1 | 9A | 86 BPM | ||
| Sabina has a thousand charms | John Blow, Grace Davidson, Julian Perkins | D♭ Major | 0 | 3B | 106 BPM | ||
| Suite in G Major: II. Grave | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 1 | 2B | 137 BPM | ||
| Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": II. Aria allegro - Variatio | Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria | F♯ Minor | 0 | 11A | 77 BPM | ||
| La Léon | Antoine Forqueray, Kaori Uemura | B Major | 0 | 1B | 93 BPM | ||
| Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
| Mystery Sonata No. 2 "The Visitation": II. Allaman - III. Presto | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | A♭ Major | 1 | 4B | 95 BPM | ||
| Lachrimæ antiquæ Novæ (Improvisation After the Lachrimæ or Seaven Teares by John Dowland) | Sokratis Sinopoulos, L'Achéron, François Joubert-Caillet, John Dowland | D♭ Minor | 1 | 12A | 101 BPM |