"2 Romances For Violin And Orchestra, Op. 50: No. 1 In G Major" by Max Reger, Hans Maile, Deutsches Symphonie-Orchester Berlin, Uros Lajovic had its release date on June 29, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Max Reger, Various Artists's "Max Reger - Orchestral Edition - Variations, Suites, Romances" album is number 2 out of 56. On top of that, Germany appears to be the country where this track was created. 2 Romances For Violin And Orchestra, Op. 50: No. 1 In G Major is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 2 Romances For Violin And Orchestra, Op. 50: No. 1 In G Major by Max Reger, Hans Maile, Deutsches Symphonie-Orchester Berlin, Uros Lajovic to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Romanzen, Op. 94 (Arr. G. Schwabe for Cello & Piano): No. 1, Nicht schnell | Robert Schumann, Gabriel Schwabe, Nicholas Rimmer | D Minor | 1 | 7A | 100 BPM | ||
| Sonate, Op. 64: I. Andantino con moto | Mel Bonis, Juliette Hurel, Hélène Couvert | D♭ Major | 0 | 3B | 96 BPM | ||
| Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Gossec: Messe des morts: XXII. Pie Jesu | Francois-Joseph Gossec, Louis Devos, Howard Crook, Kurt Widmer, Maastricht Conservatory Chamber Choir, Musica Polyphonica | B Major | 2 | 1B | 119 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | A Minor | 1 | 8A | 88 BPM | ||
| Prélude, Choral et Fugue, FWV 21: I. Prélude | César Franck, Charles Owen | F Major | 0 | 7B | 89 BPM | ||
| Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
| Hodie Christus natus est, SWV 456 | Heinrich Schütz, Il Pomo D'oro, Giuseppe Maletto | F Major | 1 | 7B | 114 BPM | ||
| Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
| Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
| Symphony No. 5: IV. Adagietto. Sehr langsam (Arr. Farrington for Chamber Ensemble) | Gustav Mahler, Esther Yoo, Elen Hâf Rideal, Abigail Fenna, Liz Varlow, Chantal Woodhouse, Roberto Sorrentino, Benjamin Cunningham, David Gordon, Suzy Willison-Kawalec | F Major | 0 | 7B | 89 BPM | ||
| Symphony No. 14, "Morgenen" (the Morning), BVN 336: II. Upaagtede morgenstjerner [Unnoticed morning stars] | Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 0 | 7B | 81 BPM | ||
| Requiem, Op. 9: I. Introït | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 3 | 11A | 129 BPM | ||
| Holberg Suite, Op. 40 (Version for Piano): II. Sarabande. Andante | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
| 24 Préludes, Op. 28: No. 20 in C Minor (Arr. Franchomme for 4 Cellos) | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | A♭ Major | 0 | 4B | 88 BPM | ||
| Liebesbotschaft (Schwanengesang) | Franz Schubert, Antoine Tamestit, Markus Hadulla | F♯ Minor | 0 | 11A | 89 BPM | ||
| Symphony No. 3 in E Flat Major, Op. 90: III. Menuetto. Moderato - Trio I - Trio II | Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen | E♭ Major | 0 | 5B | 174 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
| Arpeggione Sonata in A Minor, D. 821: II. Adagio (Transcr. Ottensamer for Clarinet and Piano) | Franz Schubert, Andreas Ottensamer, José Gallardo | F♯ Major | 0 | 2B | 69 BPM | ||
| Paulus: I. Teil: Nr. 10 Chor "Siehe, wir preisen selig die erdultet haben" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | G Major | 1 | 9B | 145 BPM | ||
| Hashir Hashem Luchem | Jay Anthony Gach, Kühn Choir Of Prague, Jakub Pikla | G Major | 1 | 9B | 132 BPM | ||
| Abendstern, D. 806 (Arr. X. van Dijk for String Quartet) | Franz Schubert, Signum Quartet | G Minor | 0 | 6A | 85 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Francesco Nicolosi, Rodolfo Bonucci, Andrea Noferini | G Major | 0 | 9B | 88 BPM | ||
| 6 Chorale Preludes, BV B 50: Es ist ein Ros entsprungen, Op. 122/8 | Johannes Brahms, Ferruccio Busoni, Igor Levit | F Major | 0 | 7B | 69 BPM |