What is the BPM for サパテアード作品23-2 by P. サラサーテ, 藤森亮一（チェロ）, カール＝アンドレアス・コリー（ピアノ）?

The tempo for サパテアード作品23-2 is 69 beats per a minute with a half-time of 34 BPM and a double-time of 138 BPM.

What is the music key for サパテアード作品23-2 by P. サラサーテ, 藤森亮一（チェロ）, カール＝アンドレアス・コリー（ピアノ）?

The music key for サパテアード作品23-2 is A♭ Major or a camelot key of 4B.

サパテアード　作品23-2 by P. サラサーテ, 藤森亮一（チェロ）, カール＝アンドレアス・コリー（ピアノ） Song Details

"サパテアード　作品23-2" by P. サラサーテ, 藤森亮一（チェロ）, カール＝アンドレアス・コリー（ピアノ） had its release date on October 24, 2008. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in エレジー　～チェロ小品集～, so we believe that "サパテアード　作品23-2" is a single. サパテアード　作品23-2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of サパテアード　作品23-2 by P. サラサーテ, 藤森亮一（チェロ）, カール＝アンドレアス・コリー（ピアノ） is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -22.916 dB
Acousticness: 99%
Danceability: 22%
Energy: 13%
Instrumentalness: 90%
Liveness: 14%
Loudness: 62%
Speechiness: 4%
Valence: 16%

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