"ナゼルの夜会 変奏1. 分別の極み" by F. プーランク, 伊藤曜子(ピアノ) had its release date on October 25, 2022. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 18 in F. プーランク:ナゼルの夜会 by F. プーランク, 伊藤曜子(ピアノ). Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. ナゼルの夜会 変奏1. 分別の極み is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ナゼルの夜会 変奏1. 分別の極み by F. プーランク, 伊藤曜子(ピアノ) is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| Ibert: Flute Concerto: II. Andante | Jacques Ibert, Emmanuel Pahud, David Zinman, Tonhalle-Orchester Zürich | D♭ Major | 1 | 3B | 54 BPM | ||
| 5 Bagatelles, Op. 23: No. 2, Romance | Gerald Finzi, Anastasia Schmidlin, Denis Zhdanov | A♭ Major | 0 | 4B | 81 BPM | ||
| Sonata For Flute & Piano In C Major: Allegro cantabile | Otar Taktakishvili, Eva Kupiec, Marina Piccinini | C Major | 1 | 8B | 102 BPM | ||
| Symphony in E Major, Z. 8, "Clio": II. Andante in canone | Wenzel Pichl, Toronto Chamber Orchestra, Kevin Mallon | A Major | 0 | 11B | 76 BPM | ||
| Octet-Partita in F Major, Op. 57 (Arr. for Woodwind Ensemble by Shea Lolin): I. Allegro vivace | Franz Krommer, Czech Philharmonic Wind Ensemble, Shea Lolin | A♭ Major | 0 | 4B | 81 BPM | ||
| Riessler & Bach, JS: Intro / Air from the Orchestral Suite No. 3, BWV 1068 (Arr. Riessler for Clarinet Ensemble) | Johann Sebastian Bach, Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Musiikkia Sanomalehdistoön päivien juhlanäytäntöön, JS 137: Preludio | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | G Major | 1 | 9B | 87 BPM | ||
| Poem for Oboe & Piano | Marina Dranishnikova, David Walter, Magdalena Duś | B Major | 2 | 1B | 150 BPM | ||
| Arensky: Piano Trio No. 1 in D Minor, Op. 32: III. Elegia. Adagio | Anton Arensky, Polina Leschenko, Renaud Capuçon, Gautier Capuçon | G Minor | 0 | 6A | 118 BPM | ||
| ナゼルの夜会 変奏7. 不幸の味 | F. プーランク, 伊藤曜子(ピアノ) | F♯ Major | 0 | 2B | 69 BPM | ||
| Bassoon Concerto in F Major, WoO 23, S63: II. Romanza. Andantino e cantabile | Johann Nepomuk Hummel, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | E Minor | 0 | 9A | 77 BPM | ||
| Panteón | Juan Pablo Fernández Ramos | D Major | 0 | 10B | 128 BPM | ||
| Cinco Diferencias Sobre las Vacas | The Royal Wind Music, Capella Sancta María, Alfred Fernández | A♭ Minor | 0 | 1A | 140 BPM | ||
| Sinfonia No. 1 in C Major, MWV N1: II. Andante | Felix Mendelssohn, Northern Chamber Orchestra, Nicholas Ward | E♭ Major | 4 | 5B | 155 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | A♭ Major | 0 | 4B | 81 BPM | ||
| Viola Concerto in B-Flat Major: III. Rondo. Allegro | Franz Anton Hoffmeister, Victoria Chiang, Baltimore Chamber Orchestra, Markand Thakar | C Major | 2 | 8B | 113 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VI. Courante | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | A♭ Major | 0 | 4B | 81 BPM | ||
| Double Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: II. Allegro moderato | Max Bruch, Alfred Scholz, Sinfonie Orchester Des Sudwestfunks Baden-Baden | G Major | 1 | 9B | 100 BPM | ||
| 歌曲集「画家の仕事」 VII. ジャック・ヴィヨン | F. プーランク, 村田健司(バリトン・レジェ), 上原ひろ子(ピアノ) | F Major | 1 | 7B | 133 BPM | ||
| Reinecke: Flute Concerto in D Major, Op. 283: II. Lento e mesto | Carl Reinecke, Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester | B Minor | 1 | 10A | 93 BPM | ||
| I. Adagio ma non troppo | Fanny Mendelssohn, Minguet Quartett | A♭ Major | 0 | 4B | 81 BPM | ||
| Aus Jotunheim, Suite über Norwegische Volksweisen: III. Andante con moto | Julius Röntgen, Markus Maskuniitty, Martin Sturfalt | E♭ Major | 0 | 5B | 77 BPM | ||
| String Quartet in D Major, Op. 64 No. 5 "The Lark": II. Adagio cantabile | Joseph Haydn, Hagen Quartett | A♭ Major | 0 | 4B | 81 BPM | ||
| Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 73 BPM |