"Wine Roses" by Carole Farley, Frederick Delius, Rheinische Philharmonie, Philharmonia Orchestra, José Serebrier had its release date on February 1, 1997. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Wine Roses's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 15 in Carole Farley Sings Delius by Carole Farley. The popularity of Wine Roses is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wine Roses by Carole Farley, Frederick Delius, Rheinische Philharmonie, Philharmonia Orchestra, José Serebrier is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lyric Pieces, Book V, Op. 54: No. 4, Notturno. Andante | Edvard Grieg, Javier Perianes | C Major | 0 | 8B | 73 BPM | ||
| Idyl for Strings - Adagio | Leoš Janáček, Hanspeter Gmür, Camerata Romana | G Major | 1 | 9B | 105 BPM | ||
| Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| A Severn Rhapsody, Op. 3 | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | C Minor | 0 | 5A | 62 BPM | ||
| Schluss | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 87 BPM | ||
| Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
| Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
| Musica callada I Angelico | Federico Mompou, Arcadi Volodos | A Minor | 0 | 8A | 93 BPM | ||
| La boîte à joujoux, L. 128: III. La bergerie à vendre | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 72 BPM | ||
| 3 Small Tone Poems: No. 1, Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Minor | 0 | 9A | 71 BPM | ||
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
| Masques et bergamasques Suite, Op. 112: IV. Pastorale | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | ||
| Suite No. 1, Op. 13: III. Nocturne | New Zealand Symphony Orchestra, Jules Massenet | A♭ Major | 0 | 4B | 85 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
| Rakastava, Op. 14: The Lover | Jean Sibelius, Sir Colin Davis | F Major | 1 | 7B | 69 BPM | ||
| Pavane for a Dead Princess | Philharmonic Orchestra, Stephanie Chase, Han De Vries, Geoffrey Simon | G Major | 0 | 9B | 73 BPM | ||
| Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (Arr. for Piano by Ignaz Friedman) | Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
| 3 Nocturnes for Cello and Guitar: Nocturne No. 2 in F Major - Adagio cantabile | Franz Burgmüller, Anja Lechner, Pablo Marquez | F Major | 0 | 7B | 123 BPM | ||
| Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 91 BPM | ||
| Prelude | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | F Major | 0 | 7B | 134 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, François-René Duchâble, Jean-Philippe Collard, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
| Moonbeams | Leo Livens, Duncan Honeybourne | C Major | 0 | 8B | 64 BPM |