"Future Generations (Doyrus Fun Der Tsukunft): I. Nign" by Ty Citerman, Judith Berkson, Sara Serpa had its release date on December 11, 2020. This song is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The song is number 10 out of 13 in Bop Kabbalah+Voices: When You Speak of Times To Come (Ven Du Redst Fun Naye Tsaytn) by Ty Citerman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Future Generations (Doyrus Fun Der Tsukunft): I. Nign is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Future Generations (Doyrus Fun Der Tsukunft): I. Nign by Ty Citerman, Judith Berkson, Sara Serpa is Presto (very, very fast), since this song has a tempo of 179 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| There's nothing we can do | Doplefy, Leumas Reis | D Minor | 1 | 7A | 180 BPM | ||
| Oh My Actual Days | Alabaster DePlume | D♭ Minor | 4 | 12A | 95 BPM | ||
| Impepho | Angel Bat Dawid | G Major | 4 | 9B | 90 BPM | ||
| Marla | Grizzly Bear | B Major | 3 | 1B | 113 BPM | ||
| She Wants Nothing in the World but for the Sky to Move from Here to There | Thomas Hunter, Patrick Shiroishi, Stephen Waller | D Minor | 1 | 7A | 180 BPM | ||
| Frank Lucas | Marc Streitenfeld | E Minor | 2 | 9A | 179 BPM | ||
| The sound of a continent moving… animals, plants and minerals included | Babau | D♭ Major | 7 | 3B | 107 BPM | ||
| Estampie | Gryphon | C Major | 7 | 8B | 139 BPM | ||
| A Mote of Frozen Eternity | Lynn Avery, Cole Pulice, Ambrose Akinmusire | A Major | 2 | 11B | 168 BPM | ||
| Indigo Bay | Sélène Saint-Aimé | C Major | 3 | 8B | 160 BPM | ||
| Berlin | Klabbes Bank | G Major | 0 | 9B | 109 BPM | ||
| Smile Before You Sleep | Yinka Bernie | A Major | 2 | 11B | 174 BPM | ||
| Illustration of Agitation | Woody Jackson | F Major | 3 | 7B | 115 BPM | ||
| Dawn: III. Kayhan's Chahar | Kayhan Kalhor, Rembrandt Frerichs Trio | G Major | 5 | 9B | 134 BPM | ||
| Infiltration | Thomas Brunet | A♭ Major | 5 | 4B | 152 BPM | ||
| Un mot encore | Ensemble Contraste | C Major | 2 | 8B | 73 BPM | ||
| Managing My Breath, What Fear Had Become (feat. Saul Williams) | Shabaka, Saul Williams | F Major | 2 | 7B | 84 BPM | ||
| Somewhere in Between | Willie J Healey | A Minor | 2 | 8A | 114 BPM | ||
| Motif | TLF Trio | C Major | 0 | 8B | 104 BPM | ||
| Combat For The Angel | Secret Chiefs 3 | B♭ Major | 6 | 6B | 113 BPM | ||
| This Word Love | Peter Brötzmann, Heather Leigh | A Minor | 1 | 8A | 65 BPM | ||
| There Is A Balm In Gilead | Archie Shepp | F Major | 0 | 7B | 45 BPM | ||
| Paper Scissors Stone | Portico Quartet | D Minor | 7 | 7A | 130 BPM | ||
| The Nothing Changes | The Kilimanjaro Darkjazz Ensemble | A♭ Major | 2 | 4B | 80 BPM | ||
| Re-Member | Gungor | D Major | 2 | 10B | 88 BPM |