- BPM
- 139
- Key
- B Major
- Camelot
- 1B
L'empio punito (Excerpts): Ridi Amor [Live] by Alessandro Melani, Giacomo Nanni, Alessio Tosi, Reate Festival Baroque Ensemble, Alessandro Quarta Song Details
Alessandro Melani, Giacomo Nanni, Alessio Tosi, Reate Festival Baroque Ensemble, Alessandro Quarta's 'L'empio punito (Excerpts): Ridi Amor [Live]' had a release date set for November 20, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Alessandro Melani, Alessandro Ravasio, Michela Guarrera, Mauro Borgioni, Reate Festival Baroque Ensemble, Alessandro Quarta's "Melani: L'empio punito (Excerpts) [Live]" album is number 11 out of 32. On top of that, Italy appears to be the country where this track was created. Based on our statistics, L'empio punito (Excerpts): Ridi Amor [Live]'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of L'empio punito (Excerpts): Ridi Amor [Live] by Alessandro Melani, Giacomo Nanni, Alessio Tosi, Reate Festival Baroque Ensemble, Alessandro Quarta to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Music Key
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -24.602 dB
- Acousticness
- 97%
- Danceability
- 39%
- Energy
- 11%
- Instrumentalness
- 0%
- Liveness
- 55%
- Loudness
- 59%
- Speechiness
- 9%
- Valence
- 33%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | L'Orfeo, SV 318, Act 1: No. 1, In questo lieto e fortunato giorno | Claudio Monteverdi, Nicholas Scott, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Major | 5 | 5B | 82 BPM | |
 | Missa brevis in D Minor, K. 65: V. Benedictus | Wolfgang Amadeus Mozart, Carolina Ullrich, Elvira Bill, Cologne Cathedral Choir, Cologne Chamber Orchestra, Christoph Poppen | C Major | 1 | 8B | 106 BPM | |
 | Dowland: Lachrimae, or Seven Tears: No. 14, The Earl of Essex Galliard, P. 42 | John Dowland, Jupiter, Thomas Dunford | F♯ Major | 1 | 2B | 77 BPM | |
 | Cola dove rimbomba: Come dentro a schiere amato | Alessandro Melani, Rosita Frisani, Fabrizio Haim Cipriani, Laura Corolla, Alessandro Stradella Consort, Estévan Velardi | D♭ Major | 2 | 3B | 94 BPM | |
![L'empio punito (Excerpts): Tormentose faville [Live] by Alessandro Melani, Mauro Borgioni, Giacomo Nanni, Reate Festival Baroque Ensemble, Alessandro Quarta](https://i.scdn.co/image/ab67616d00001e024390a68f5653badd591c0cc9) | L'empio punito (Excerpts): Tormentose faville [Live] | Alessandro Melani, Mauro Borgioni, Giacomo Nanni, Reate Festival Baroque Ensemble, Alessandro Quarta | F♯ Minor | 7 | 11A | 121 BPM | |
 | Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | |
 | Sonata for 2 Trumpets a 5 in C Major: II. Allegro | Alessandro Melani, Alison Balsom, Crispian Steele-Perkins, The Parley of Instruments | B Major | 1 | 1B | 138 BPM | |
 | Domine ad adiuvandum me festina, RV 593: III. Sicut erat in principio | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini | G Major | 4 | 9B | 114 BPM | |
 | Phoebus, God Beloved by Men | Samuel Pepys, Cesare Morelli, Reginald Mobley, Brandon J. Acker, Douglas Balliett | A♭ Major | 0 | 4B | 66 BPM | |
 | Atys, LWV 53, Prologue: Récit. La saison des frimas peut-elle nous offrir | Jean-Baptiste Lully, Virginie Thomas, David Witczak, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | A Major | 2 | 11B | 122 BPM | |
 | L’empio punito, Act II Scene 14: Crudel mi tradisti (Live) | Alessandro Melani, Auser Musici, Carlo Ipata, Raffaella Milanesi, raffaele pe | A♭ Minor | 1 | 1A | 73 BPM | |
 | Missa Paschalis, ZWV7: Agnus Dei | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 1 | 3B | 79 BPM | |
 | Sabina has a thousand charms | John Blow, Grace Davidson, Julian Perkins | A Major | 2 | 11B | 122 BPM | |
 | Mass in D Minor: Kyrie. Christe eleison | Johann Adolf Hasse, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | F♯ Minor | 1 | 11A | 71 BPM | |
 | Care selve, RV 671: 1.Aria–Care selve, amici prati | Antonio Vivaldi, Raffaele Pe, La Lira di Orfeo | C Major | 1 | 8B | 95 BPM | |
 | Dixit Dominus, HWV 232: III. Tecum principium in die virtutis | George Frideric Handel, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón, Elizaveta Sveshnikova | E♭ Minor | 1 | 2A | 60 BPM | |
 | Suite In G Minor (Suite En Sol Mineur): Fantaisie | Marin Marais | F♯ Minor | 1 | 11A | 165 BPM | |
 | Orphée et Eurydice, Wq. 41 (Paris Version), Acte I Scène 1: Chœur. Ah ! Dans ce bois tranquille et sombre | Christoph Willibald Gluck, Les Arts Florissants, Paul Agnew | C Major | 3 | 8B | 71 BPM | |
 | Salve, Mater et Regina | Alessandro Melani, Maria Skiba, Veronika Winter, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | B♭ Major | 0 | 6B | 93 BPM | |
| L'Orfeo, SV 318, Act 1: No. 4, Lasciate i monti | Claudio Monteverdi, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Major | 5 | 5B | 82 BPM | |
 | Magnificat, Wq. 215: Magnificat, Wq. 215: 3. Arie. Quia fecit mihi magna (T) | Carl Philipp Emanuel Bach, Lothar Odinius, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F♯ Major | 3 | 2B | 139 BPM | |
 | Il Girello: "Sinfonia" | Alessandro Melani, Ensemble Il Groviglio | E Major | 1 | 12B | 120 BPM | |
 | Requiem In C Major: I. Introitus, Requiem | Johann Adolf Hasse, Il Fondamento, Paul Dombrecht | B Minor | 3 | 10A | 82 BPM | |
 | Requiem: Requiem: 5. Aria (A). Quid sum miser | Johann Christian Bach, Ruth Sandhoff, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F Minor | 0 | 4A | 77 BPM | |
 | Stabat Mater: IX. Fac, ut portem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM |
- ISRC
- ITN322019251
- Label
- L-M Records/RCA Records