"Francesca da Rimini, Act II: Paolo! Paolo! (Live)" by Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Mario del Monaco, Athos Cesarini, Gianandrea Gavazzeni had its release date on October 7, 2014. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Francesca da Rimini, Act II: Paolo! Paolo! (Live)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zandonai: Francesca da Rimini (Live) by Riccardo Zandonai, Magda Olivero, Mario del Monaco, Giampiero Malaspina, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Coro La Scala di Milano, Gianandrea Gavazzeni, Enrico Campi, Gabriella Carturan, Athos Cesarini, Angelo Mercuriali, Giuseppe Morresi, Pinuccia Perotti, Anna Maria Rota. The song's track number on the album is #15 out of 39 tracks. Based on our data, United States was the country where this track was produced or recorded. Francesca da Rimini, Act II: Paolo! Paolo! (Live) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Act II: Paolo! Paolo! (Live) by Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Mario del Monaco, Athos Cesarini, Gianandrea Gavazzeni has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Act II: Paolo! Paolo! (Live) being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rossini: Petite messe solennelle: XII. Et vitam ventur saeculi | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 4 | 3B | 93 BPM | ||
| Mozart: Così fan tutte, K. 588, Act 1: Quintetto. "Sento, o Dio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Karl Böhm, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
| L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
| La Cenerentola / Act 1: "Venga, inoltri" - "Sapientissimo Alidoro" | Gioachino Rossini, William Matteuzzi, Alessandro Corbelli, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A♭ Major | 1 | 4B | 91 BPM | ||
| Lasciatemi, lasciatemi andar via ! | Riccardo Zandonai, Gianandrea Gavazzeni | D Major | 4 | 10B | 115 BPM | ||
| Donizetti: Lucia di Lammermoor, Act I Scene 2: Quando rapito in estasi (Lucia, Alisa) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Lisette Oropesa, Irene Savignano | D Major | 2 | 10B | 141 BPM | ||
| Manon Lescaut / Act 4: Tutta su me ti posa | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Metropolitan Opera Orchestra, James Levine | B Minor | 0 | 10A | 77 BPM | ||
| I cavalieri di Ekebu: Vi går tillsammans | Lars Cleveman, Malena Karlsson, Riccardo Zandonai, A. Rossato, M. Lindman | A Major | 1 | 11B | 100 BPM | ||
| Puccini : Manon Lescaut : Act 1 "Tra voi, belle" [Des Grieux] | Giacomo Puccini, José Cura, Plácido Domingo, Philharmonia Orchestra | C Major | 1 | 8B | 131 BPM | ||
| Bellini: I puritani: "E di morte lo stral non sarà lento" (Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Donizetti: Don Pasquale, Act 2: "Ah! È rimasto là impietrato" (Malatesta, Pasquale, Norina, Ernesto) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Leo Nucci, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | E Major | 2 | 12B | 75 BPM | ||
| Puccini: Turandot, Act 1: "Figlio, che fai?" (Timur, Calaf, Liù, Il principe di Persia, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Francesco Toma, Jonas Kaufmann, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 150 BPM | ||
| Francesca da Rimini, Op. 4, Act I: Questi giullari et uomini di corte | Riccardo Zandonai, Levente Molnár, Aaron Judisch, Philharmonisches Orchester Freiburg, Fabrice Bollon | A♭ Major | 2 | 4B | 87 BPM | ||
| Falstaff, Act II: E sogno o realtà? | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
| La pícara molinera, Act II: "Mi locura… Paxarín, tú que vuelas" (Juan) | Pablo Luna, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D♭ Major | 1 | 3B | 68 BPM | ||
| Romeo e Giulietta - Giulietta son io | Riccardo Zandonai, Giacinto Prandelli, Antonio Guarnieri | D♭ Major | 0 | 3B | 147 BPM | ||
| Wagner: Lohengrin, Act 2: "Zurück Elsa! Nicht länger will ich dulden" (Ortrud, Elsa, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Deborah Polaski, Emily Magee, Staatskapelle Berlin | C Major | 2 | 8B | 77 BPM | ||
| Rigoletto / Act 2: Mio padre! / Dio! Mia Gilda! | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Piero Cappuccilli, Luigi De Corato, Dirk Sagemüller, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | D♭ Major | 1 | 3B | 91 BPM | ||
| Penella: Don Gil de Alcalá: "Bendita cruz" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | D Major | 1 | 10B | 81 BPM | ||
| Cilea: L'arlesiana, Act 2: "Ah! Vieni con me sui monti" (Baldassarre, Federico) | Francesco Cilea, Charles Rosekrans, Barry Anderson, Péter Kelen, Hungarian State Orchestra | B Major | 0 | 1B | 82 BPM | ||
| Act III: Paolo, datemi pace! | Riccardo Zandonai, Leontyne Price, Francesco Molinari-Pradelli | A Minor | 2 | 8A | 97 BPM | ||
| Aida, Act I: Alta cagion v'aduna | Giuseppe Verdi, Katia Ricciarelli, Elena Obraztsova, Piero de Palma, Plácido Domingo, Ruggero Raimondi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM | ||
| Lucia di Lammermoor / Act 3: "S'avanza Enrico" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 0 | 9B | 107 BPM | ||
| Tosca, Act I: Mia gelosa! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Carmen / Act 2: Non, tu ne m'aimes pas! | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 178 BPM |