The Motherland Song Book, Vol. 3 (Excerpts): No. 8, We Be Three Poor Mariners by Ralph Vaughan Williams, Roderick Williams, William Vann, Helen Ashby, Kate Ashby, Cara Curran, Benedict Hymas, James Arthur, Nicholas Ashby Song Details

Ralph Vaughan Williams, Roderick Williams, William Vann, Helen Ashby, Kate Ashby, Cara Curran, Benedict Hymas, James Arthur, Nicholas Ashby's ' "The Motherland Song Book, Vol. 3 (Excerpts): No. 8, We Be Three Poor Mariners" was released on its scheduled release date, September 17, 2021. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Ralph Vaughan Williams: Folk Songs, Vol. 3". In this album, this song's track order is #20. Based on our statistics, The Motherland Song Book, Vol. 3 (Excerpts): No. 8, We Be Three Poor Mariners's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

With The Motherland Song Book, Vol. 3 (Excerpts): No. 8, We Be Three Poor Mariners by Ralph Vaughan Williams, Roderick Williams, William Vann, Helen Ashby, Kate Ashby, Cara Curran, Benedict Hymas, James Arthur, Nicholas Ashby having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -20.578 dB
Acousticness: 99%
Danceability: 49%
Energy: 20%
Instrumentalness: 0%
Liveness: 11%
Loudness: 66%
Speechiness: 5%
Valence: 78%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Capriol Suite: 1. Basse-danse	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	D Minor	2	7A	133 BPM
Prelude	Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones	E♭ Minor	0	2A	83 BPM
Prince Igor: Polovtsian Dances (Version for Chorus)	Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	A Major	2	11B	110 BPM
Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E."	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Minor	0	6A	81 BPM
An English Suite: VI. Air	Hubert Parry, London Symphony Orchestra, Sir Adrian Boult	G Major	0	9B	91 BPM
The Mausoleum at Halicarnassus - From "Seven Wonders" Suite	Stuart Mitchell, Czech National Symphony Orchestra, Paul Bateman	B Minor	0	10A	75 BPM
A Moorside Suite, H. 173: Nocturne	Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones	B Minor	0	10A	80 BPM
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne. Allegretto molto moderato	Gabriel Fauré, Berliner Philharmoniker, Daniel Barenboim	E♭ Major	0	5B	56 BPM
Peer Gynt Suite No.2 op. 55 Abduction and Ingrid's Lament Allegro furioso-Andante doloroso)	Academy of St. Martin in the Fields	G Minor	0	6A	133 BPM
Litolff: Concerto symphonique No. 4 in D Minor, Op. 102: II. Scherzo	Henry Litolff, San Francisco Symphony, Michael Tilson Thomas	D Minor	3	7A	122 BPM
Sir John in Love: Fantasia on Greensleeves	Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic, David Nadien	C Minor	1	5A	105 BPM
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato	Ralph Vaughan Williams, Hallé, Sir Mark Elder	A Minor	0	8A	81 BPM
Kol Nidrei, Op. 47	Max Bruch, Jan Vogler, Helmut Branny	D Major	1	10B	136 BPM
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia	Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko	D Major	1	10B	85 BPM
Suite No. 3, P. 172: III. Siciliana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	C Minor	0	5A	93 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	E♭ Major	1	5B	87 BPM
Appalachian Spring: VII. Doppio movimento	Aaron Copland, Leonard Bernstein, New York Philharmonic	D♭ Major	1	3B	78 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Sinding / Arr Sitt : Rustle of Spring	Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen	F Minor	2	4A	90 BPM
Scheherazade: The Tale of the Kalendar Prince	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	B Minor	1	10A	62 BPM
Symphony No. 3, "Pastoral Symphony": I. Molto moderato	Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels	C Major	0	8B	88 BPM
Hummel: Trumpet Concerto In E Flat - Iii Rondo	Johann Nepomuk Hummel, Tine Thing Helseth	E♭ Major	2	5B	144 BPM
Scheherazade: The Fight	Nikolai Rimsky-Korsakov, Joakim Svenheden	E Minor	1	9A	80 BPM
Black Swan: Black Swan (after Brahms' 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major) [After Brahms' 6 Piano Pieces, Op. 118, No. 2. Intermezzo in A Major]	Bright Sheng, Seattle Symphony Orchestra, Gerard Schwarz	G Major	3	9B	80 BPM
Suite: Graceful Dance	Ernest Tomlinson, Royal Northern Sinfonia, David Lloyd-Jones	D Major	3	10B	133 BPM