"Panis angelicus (From "Mass, Op. 12") - String Quartet Version" by César Franck, Aramis Quartet had its release date on April 24, 2025. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 14 in Be Thou My Vision (Classic Hymns for String Quartet) [String Quartet Version] by Aramis Quartet. In terms of popularity, Panis angelicus (From "Mass, Op. 12") - String Quartet Version is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Panis angelicus (From "Mass, Op. 12") - String Quartet Version by César Franck, Aramis Quartet is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Violin Concerto In E Minor, Op. 64, MWV O14: I. Allegro molto appassionato | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | E Minor | 1 | 9A | 81 BPM | ||
| Rachmaninov / Arr. Press & Gingold for Violin and Piano: 14 Romances, Op. 34: No. 14, Vocalise | Hermione Gingold, Michael Press, Sergei Rachmaninoff, Itzhak Perlman, Samuel Sanders | E Minor | 2 | 9A | 98 BPM | ||
| 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
| Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
| Cello Sonata in B-Flat Major, Op. 46: 2. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | A♭ Major | 0 | 4B | 65 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 95 BPM | ||
| Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
| Concert nr.5 pentru pian si orchestra in Mi bemol major op.73 (“Imperialul”) L.van Beethoven Adagio un poco moso | Radu Lupu | B Major | 0 | 1B | 91 BPM | ||
| 4 Lieder, Op. 27: 4. Morgen! | Richard Strauss, Harriet Krijgh, Magda Amara | G Major | 0 | 9B | 175 BPM | ||
| Elgar: Salut d'amour, Op. 12 | Edward Elgar, Min Kym, Gordon Back | E Major | 1 | 12B | 86 BPM | ||
| 3 Songs, Op. 7: No. 1. Apres un reve (arr. for cello and piano) | Anonymous, Gabriel Fauré, Maria Kliegel, Nina Tichman | F Minor | 0 | 4A | 95 BPM | ||
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
| Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus | César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp | A Major | 0 | 11B | 177 BPM | ||
| Prélude, fugue & variation, Op. 18: I. Prélude | César Franck, Alice Ader, Ensemble Ader | B♭ Major | 0 | 6B | 168 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | ||
| 4 Romantic Pieces, Op. 75, B. 150 (Arr. for Cello & Piano): No. 1, Allegro moderato | Antonín Dvořák, Daniel Müller-Schott, Robert Kulek | C Minor | 0 | 5A | 88 BPM | ||
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Vilde Frang, James Gaffigan, Hr-sinfonieorchester | G Major | 1 | 9B | 76 BPM | ||
| Tu mancavi a tormentarmi, crudelissima speranza (Arr. L. Stokowski) | Antonio Cesti, Brussels Philharmonic, Richard Egarr | E Major | 1 | 12B | 87 BPM | ||
| 3 Romances, Op. 11: No. 3, Moderato | Clara Schumann, Isata Kanneh-Mason | A♭ Major | 0 | 4B | 73 BPM | ||
| Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | ||
| String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
| Schluss | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 87 BPM |