José Carreras, Luciano Pavarotti's ' "Adeste Fideles" was released on its scheduled release date, 2009. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Adeste Fideles's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 80 in the song's album "Ultimate Holiday Collection: Volume 2". In this album, this song's track order is #29. Adeste Fideles is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Adeste Fideles by José Carreras, Luciano Pavarotti having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) - Excerpt | Léo Delibes, Anna Netrebko, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | G Minor | 1 | 6A | 93 BPM | ||
| La Mia Letizia Infondere | The Young Pavarotti | E Major | 3 | 12B | 146 BPM | ||
| Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
| Bizet: Carmen, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Sir Thomas Beecham, French National Radio Orchestra | G Major | 1 | 9B | 107 BPM | ||
| Mi par d'udire ancora (I Pescatori di Perle) | Giuseppe Di Stefano, Eduardo Moser | E♭ Major | 3 | 5B | 87 BPM | ||
| Parlami d'amore, Mariu (arr. L. Logi) [Orch. L. Logi] | Cesare Andrea Bixio, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 1 | 7B | 92 BPM | ||
| Roméo et Juliette, CG 9 / Act 1: Ah, je veux vivre | Charles Gounod, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | F Major | 1 | 7B | 71 BPM | ||
| Brodszky / Arr Schifrin: Around the World Part 6: Be My Love | Nicholas Brodszky, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | D Minor | 3 | 7A | 84 BPM | ||
| Mattinata (Orch. Luck) | Ruggero Leoncavallo, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | B Major | 3 | 1B | 84 BPM | ||
| Madama Butterfly / Act I: Bimba dagli occhi pieni di malia | Giacomo Puccini, Mirella Freni, José Carreras, Philharmonia Orchestra, Giuseppe Sinopoli | F Major | 2 | 7B | 82 BPM | ||
| The Bohemian Girl - Arr. by Karel Mark Chichon: I Dreamt I Dwelt in Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
| L'Amore è un Attimo | Jay Dref, Angelica Volpi | D Major | 5 | 10B | 67 BPM | ||
| Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
| Carousel: You'll Never Walk Alone (Arr. Mathes) - Live | Richard Rodgers, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | A♭ Major | 4 | 4B | 107 BPM | ||
| Esta Tarde Vi Llover | José Carreras, Lang Lang | D Major | 4 | 10B | 180 BPM | ||
| Les pêcheurs de perles: Je crois entendre encore (Romance de Nadir) - 1959 Live Version | Georges Bizet, Manuel Rosenthal, Orchestre National de la RTF, Alain Vanzo | A Minor | 1 | 8A | 77 BPM | ||
| Brazil - Live | Bob Russell, Ary Barroso, José Carreras, Plácido Domingo, Luciano Pavarotti, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 8 | 5B | 118 BPM | ||
| Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
| Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | F♯ Minor | 4 | 11A | 86 BPM | ||
| Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeur de Radio France | D Major | 1 | 10B | 101 BPM | ||
| De Curtis / Arr. Mancini: Non ti scordar di me (Live) | Ernesto de Curtis, Luciano Pavarotti, Zubin Mehta, Los Angeles Philharmonic | A Major | 3 | 11B | 82 BPM | ||
| Granada | Agustín Lara, Plácido Domingo, Paloma San Basilio | D Major | 7 | 10B | 92 BPM | ||
| Spanish Eyes | Joseph Calleja, Mantovani | A Major | 3 | 11B | 117 BPM | ||
| Tosti / Arr Schifrin: Around the World Part 7: Marechiare | Francesco Paolo Tosti, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | A♭ Minor | 2 | 1A | 139 BPM | ||
| Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM |