Symphonic Variation "Merry-Go-Round + Cave of Mind" - from 'Howl’s Moving Castle' by Joe Hisaishi, Royal Philharmonic Orchestra Song Details

"Symphonic Variation "Merry-Go-Round + Cave of Mind" - from 'Howl’s Moving Castle'" by Joe Hisaishi, Royal Philharmonic Orchestra had its release date on June 30, 2023. This song appears to be safe for all ages as it is not explicit. The song is number 24 out of 29 in A Symphonic Celebration - Music from the Studio Ghibli Films of Hayao Miyazaki by Joe Hisaishi, Royal Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, Symphonic Variation "Merry-Go-Round + Cave of Mind" - from 'Howl’s Moving Castle''s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Symphonic Variation "Merry-Go-Round + Cave of Mind" - from 'Howl’s Moving Castle' by Joe Hisaishi, Royal Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 36%
Loudness: -12.009 dB
Acousticness: 93%
Danceability: 24%
Energy: 33%
Instrumentalness: 72%
Liveness: 5%
Loudness: 80%
Speechiness: 4%
Valence: 9%

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