"Come and Get Me" by Todd Haberman had its release date on January 15, 2013. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Come and Get Me's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "The Reef 2: High Tide". In this album, this song's track order is #31. In terms of popularity, Come and Get Me is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Come and Get Me by Todd Haberman having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Guardian | WHITE WALL | D♭ Major | 5 | 3B | 118 BPM | ||
| Halo Jump | Todd Haberman | F Minor | 6 | 4A | 130 BPM | ||
| Tarnished Time | Imagine Music | E Minor | 6 | 9A | 64 BPM | ||
| Emergence | Nuummite | G Major | 5 | 9B | 120 BPM | ||
| Destroyers in the Sky | James Dooley, Danny Cocke | D♭ Minor | 9 | 12A | 155 BPM | ||
| Exosuit | Epic North | C Minor | 5 | 5A | 99 BPM | ||
| The Call of Midnight | Future World Music | D Minor | 7 | 7A | 125 BPM | ||
| Experiment 12 | Revolt Production Music | G Major | 6 | 9B | 107 BPM | ||
| Final Mission | Shades of the Abyss | D♭ Minor | 9 | 12A | 155 BPM | ||
| Transiciones | Sin Recompensas | D♭ Major | 4 | 3B | 115 BPM | ||
| Black Tide Rising | Glory Oath + Blood, Robert Leslie Bennett | F Minor | 3 | 4A | 132 BPM | ||
| Gearbox | Todd Haberman, Gary Philips | F Major | 10 | 7B | 120 BPM | ||
| Time Traveller | Peter Roe | C Major | 5 | 8B | 110 BPM | ||
| Takedown | Tom Player | A♭ Major | 4 | 4B | 145 BPM | ||
| Nazgul and Sauron in Isengard | AYDUmusic | D Major | 7 | 10B | 90 BPM | ||
| Fighting the Empire | PostHaste Music | D♭ Minor | 8 | 12A | 48 BPM | ||
| Sinister Intent | Danny Cocke | D Major | 8 | 10B | 140 BPM | ||
| Edge of the World | Iliya Zaki | A♭ Major | 6 | 4B | 115 BPM | ||
| The Devil's Lullaby | Jitendra K | G Major | 9 | 9B | 77 BPM | ||
| Brutal Revolution | Music Junkies, Ars Arcana | D♭ Major | 8 | 3B | 160 BPM | ||
| Warlord | WHITE WALL | D Minor | 5 | 7A | 84 BPM | ||
| Great Deceiver | Danny Cocke | C Minor | 8 | 5A | 86 BPM | ||
| Tale of the Brave | RochaMusicX | A Minor | 6 | 8A | 120 BPM | ||
| Army of Drums | WHITE WALL | A♭ Major | 9 | 4B | 110 BPM | ||
| Ottumn | Tales of the Forgotten, Bill Hemstapat, Dylan C. Jones | D♭ Minor | 6 | 12A | 80 BPM |