Dudley Moore's 'Strictly for The Birds' had a release date set for November 29, 2018. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Strictly for The Birds's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Dudley Moore's "Have Some Moore!" album is number 16 out of 22. Strictly for The Birds is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Strictly for The Birds by Dudley Moore to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Just One of Those Things | Dudley Moore | C Major | 3 | 8B | 114 BPM | ||
| Real Class | Alan Bennett, Peter Cook, Jonathan Miller, Dudley Moore | C Major | 4 | 8B | 130 BPM | ||
| Violin Concerto, Op. 14: II. Andante - Instrumental | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 102 BPM | ||
| Waltz For Debby | Bill Evans, Eugene Lees, Jean-Yves Thibaudet | F Major | 1 | 7B | 67 BPM | ||
| Under Canvas | Dudley Moore | D♭ Major | 5 | 3B | 72 BPM | ||
| 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. for Orchestra) | Johannes Brahms, Slovak Radio Symphony Orchestra, Peter Breiner | G Major | 1 | 9B | 84 BPM | ||
| Its Easy To Remember | Cleo Laine, Dudley Moore | G Major | 1 | 9B | 71 BPM | ||
| Serenade for Orchestra | William Grant Still, Royal Scottish National Orchestra, Avlana Eisenberg | A Major | 1 | 11B | 77 BPM | ||
| Chants d'Auvergne, Vol. 1: No. 2, Bailero | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 1 | 6B | 135 BPM | ||
| Vanity Fair | Anthony Collins, RTE Concert Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 124 BPM | ||
| Morning Walk | Dudley Moore | B Minor | 5 | 10A | 133 BPM | ||
| The Terry Theme From "Limelight" / La Violetera From "City Lights" / Je cherche après Titine From "Modern Times" / Awakening From "Limelight" / Theme From "Modern Times" - CITY MEMORIES | Charlie Chaplin, Jose Padilla Sanchez, Léo Daniderff, Louis Maubon, Claude Bertal, Emile Ronn, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | C Minor | 2 | 5A | 82 BPM | ||
| Urn Burial | Dudley Moore | D♭ Major | 5 | 3B | 72 BPM | ||
| España | Emmanuel Chabrier, Boston Symphony Orchestra, Seiji Ozawa | F Major | 3 | 7B | 126 BPM | ||
| Prelude | Gerald Finzi, Royal Ballet Sinfonia, David Lloyd-Jones | F Minor | 1 | 4A | 109 BPM | ||
| Scottish Rhapsody | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | D♭ Major | 2 | 3B | 142 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Piano Concerto No. 5 in E flat major Op. 73 -"Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Vladimir Ashkenazy, The Cleveland Orchestra | B Major | 1 | 1B | 95 BPM | ||
| Musetta's Waltz Song (La Boheme) | Geoff Love & His Orchestra | E Major | 1 | 12B | 86 BPM | ||
| Ancient Airs and Dances, Suite No. 1, P 109: III. Villanella | Ottorino Respighi, Jesús López-Cobos, Orchestre de Chambre de Lausanne | D♭ Minor | 1 | 12A | 75 BPM | ||
| Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
| In The Piazza Signoria | Richard Robbins, Richard Robbins And Orchestra, Orchestra | A Minor | 0 | 8A | 177 BPM | ||
| Bollard | Alan Bennett, Peter Cook, Jonathan Miller, Dudley Moore | E Minor | 7 | 9A | 105 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
| Fauré / Orch. Rabaud: Dolly, Op. 56: I. Berceuse | Gabriel Fauré, Orchestre National de France/Sir Thomas Beecham, Sir Thomas Beecham, Orchestre National De France | F♯ Major | 1 | 2B | 83 BPM |