The Sweet Time Suite, Part I - Opening
Floating Points
Late Night Tales: Floating Points
2:58 March 29, 2019
BPM
100
Key
B♭ Minor
Camelot
3A

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The Sweet Time Suite, Part I - Opening by Floating Points Song Details

Floating Points's 'The Sweet Time Suite, Part I - Opening' had a release date set for March 29, 2019. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. The Sweet Time Suite, Part I - Opening's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Floating Points's "Late Night Tales: Floating Points" album is number 14 out of 16. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Sweet Time Suite, Part I - Opening is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of The Sweet Time Suite, Part I - Opening by Floating Points to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-22.186 dB
Acousticness
98%
Danceability
37%
Energy
4%
Instrumentalness
96%
Liveness
10%
Loudness
63%
Speechiness
7%
Valence
21%

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ISRC
GB5EM1801827
Label
L-M Records/RCA Records