Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman, Tilda Cobham Hervey's ' "What Do You Do With An Idea?: It's Good To Have The Ability To See Things Differently" was released on its scheduled release date, January 9, 2024. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of What Do You Do With An Idea? by Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman. The song's track number on the album is #9 out of 10 tracks. In terms of popularity, What Do You Do With An Idea?: It's Good To Have The Ability To See Things Differently is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since What Do You Do With An Idea?: It's Good To Have The Ability To See Things Differently by Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman, Tilda Cobham Hervey has a tempo of 119 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With What Do You Do With An Idea?: It's Good To Have The Ability To See Things Differently being at 119 BPM, the half-time would be 60 BPM with a double-time of 238 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Falling In Love Again (Can't Help It) | Tatiana Bookbinder | E♭ Major | 2 | 5B | 99 BPM | ||
| Miss Melanie | Ronald Binge, Pro Arte Orchestra, George Weldon | A Major | 1 | 11B | 126 BPM | ||
| Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
| Wonderland Suite: IV. DRINK ME! | Paul Rissmann, Lee Reynolds, London Symphony Orchestra, Emily Dickens, Joanna Harries, Richard Pinkstone, Neil Balfour | B♭ Major | 1 | 6B | 81 BPM | ||
| Muchedumbre | Armonias | F Major | 3 | 7B | 67 BPM | ||
| The Seasons, Op. 67: IV. Petit Adagio | Alexander Glazunov, Yevgeny Svetlanov, Philharmonia Orchestra | F♯ Major | 0 | 2B | 71 BPM | ||
| Personas Influyentes | Sirenas Celestiales | F♯ Minor | 1 | 11A | 130 BPM | ||
| Songs of the Fleet, Op. 117: I. Sailing at Dawn | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | E♭ Major | 1 | 5B | 128 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: XIII. Eine Alpensinfonie | Richard Strauss, Andrés Orozco-Estrada, Hr-sinfonieorchester | B♭ Minor | 0 | 3A | 82 BPM | ||
| Annie | Charles Strouse, Richard Hayman Symphony Orchestra, Richard Hayman | C Major | 2 | 8B | 91 BPM | ||
| Raymonda, Act I: Scene 1. 1er Tableau (Lento maestoso) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 1 | 5B | 81 BPM | ||
| Shakespeare Pictures: II. The Winter's Tale. The Statue | Nigel Hess, Central Band Of The Royal Air Force | G Minor | 1 | 6A | 86 BPM | ||
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 2 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | D♭ Major | 3 | 3B | 116 BPM | ||
| Medley from "Oklahoma!" | Orlando Pops Orchestra, Andrew Lane | A♭ Major | 2 | 4B | 133 BPM | ||
| Childhood | Matt Milan | E Minor | 2 | 9A | 136 BPM | ||
| Sibelius: Symphony No. 6 in D Minor, Op. 104: I. Allegro molto moderato | Jean Sibelius, Herbert von Karajan, Berliner Philharmoniker | E Minor | 1 | 9A | 64 BPM | ||
| Buddha Jumps over the Wall | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | B♭ Major | 1 | 6B | 68 BPM | ||
| Then One Day (Instrumental) | Compendium Incorporated, Adelaide Symphony Orchestra, Paul Rissmann | F Major | 2 | 7B | 121 BPM | ||
| Amahl and the Night Visitors: Prelude / Opening | David Syrus, The Royal Opera House Orchestra, Ben Turner | F Major | 2 | 7B | 119 BPM | ||
| Wonderland Suite: VIII. EAT ME! | Lee Reynolds, London Symphony Orchestra, Emily Dickens, Joanna Harries, Richard Pinkstone, Neil Balfour | D Minor | 2 | 7A | 116 BPM | ||
| Violin Concerto: IIb. Fugue, Pt. 4 (Live) | Maya Badian, Romanian National Radio Orchestra, Florin Paul, Ludovic Bács | B♭ Major | 5 | 6B | 96 BPM | ||
| The Wizard's Exposé / Emerald City Graduation / Fill-In Awards | Hollywood Cinematic Orchestra, The Wizard of Oz at Sphere | E Minor | 3 | 9A | 141 BPM | ||
| Mozart: Die Zauberflöte, K. 620, Act 2: "Papagena! Weibchen! Täubchen!" (Papageno, Die drei Knaben) | Wolfgang Amadeus Mozart, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen, Benjamin Gilbert, Oliver Barlow, Sam Jackman | E♭ Major | 0 | 5B | 100 BPM | ||
| Sérénité Nocturne | Etoilee | E Major | 3 | 12B | 178 BPM | ||
| The Mikado: Overture | Arthur Sullivan, Royal Philharmonic Orchestra, Royston Nash | G Major | 2 | 9B | 117 BPM |