Rakesh Kala's ' "Kapi Sankat Mochan Naam Tiharo... - Hindi" was released on its scheduled release date, May 3, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Kapi Sankat Mochan Naam Tiharo... (Hindi) and no other songs are present in the album, we classify this track as a single. The popularity of Kapi Sankat Mochan Naam Tiharo... - Hindi is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kapi Sankat Mochan Naam Tiharo... - Hindi by Rakesh Kala to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amrit Ki Barse Badariya | Lakhbir Singh Lakkha | D♭ Major | 9 | 3B | 128 BPM | ||
| He Odhaji Mara Whalane | Damyanti Bardai | D♭ Minor | 8 | 12A | 146 BPM | ||
| DRADH HIN CHARNN | Nitin Devka | D♭ Major | 7 | 3B | 89 BPM | ||
| Vijali Ne Chamkare Motida Parovi Santo | Damyanti Bardai | B Major | 7 | 1B | 105 BPM | ||
| Sher Pe Sawar Hoke Aaja Ambey Rani | Kumar Ashu, Rakesh Kala | D Major | 7 | 10B | 100 BPM | ||
| AAJ MARA MANDIRIAMA | Nidhi Dholkia | F♯ Minor | 5 | 11A | 93 BPM | ||
| Radhe Naam Jap 108 Times | Suraj Borekar | D♭ Major | 6 | 3B | 172 BPM | ||
| Ranchhod Bavani | Lalita Ghodadra, Dipak Joshi | A♭ Major | 4 | 4B | 114 BPM | ||
| Mara Ghat Ma Birajta Shrinathji | Meena Patel | F♯ Minor | 8 | 11A | 83 BPM | ||
| Radha Raman Mere | Harinaam Das | D Major | 6 | 10B | 105 BPM | ||
| Aisi Laagi Lagan Meera Ho Gai Magan | Vandana Bhardwaj | E♭ Minor | 8 | 2A | 147 BPM | ||
| Jo Karte Rahoge Bhajan Dheere Dheere | Prem Bhushan Maharaj | D Major | 4 | 10B | 114 BPM | ||
| Mere Malik Ke Darbar Mein | Pujya Prembhushanji Maharaj | E♭ Major | 7 | 5B | 129 BPM | ||
| Hare Krishna Hare Rama | Chetna, Rakesh Kala | D Major | 4 | 10B | 102 BPM | ||
| Ujjain Ke Mahakaal | Shahnaaz Akhtar | A♭ Major | 8 | 4B | 150 BPM | ||
| Sankat Mochan Naam Tiharo | Sarvesh Mishra | A Minor | 3 | 8A | 95 BPM | ||
| Teri Mand Mand Musukaniya Pe (Bhajan) - Live | Pujya Rajan Ji Official | E♭ Major | 5 | 5B | 122 BPM | ||
| Prem Ab Anant Ho Gaya | Prem Bhushan Maharaj | D Major | 5 | 10B | 131 BPM | ||
| Radhe Krishna Radhe Krishna | Sonika Sharma Agarwal | F♯ Minor | 7 | 11A | 198 BPM | ||
| Veer Hanumana Ati Balwana | Rakesh Kala | A♭ Major | 8 | 4B | 118 BPM | ||
| Mujhe Charno Se Lagale | Mridul Krishan Shastri | F♯ Major | 6 | 2B | 81 BPM | ||
| Rama Rama Ratte Ratte Biti Re Umariya | Maithili Thakur | B♭ Minor | 5 | 3A | 126 BPM | ||
| Takdir Mujhe Le Chal Mahakal Ki Basti Mein | Shahnaaz Akhtar | C Major | 8 | 8B | 120 BPM | ||
| Sitaram Sitaram | Morari Bapu | B♭ Major | 7 | 6B | 90 BPM | ||
| Pakad Lo Hath Banwari | Rekha Rao | D♭ Minor | 6 | 12A | 170 BPM |