"Poem: Aegyptisches Liebeslied" by Carl Rütti, Cambridge Voices And Instrumental Ensemble, Ian Moore, Silja Walter had its release date on August 1, 1996. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Poem: Aegyptisches Liebeslied's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Rütti: Verena, die Quelle". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Poem: Aegyptisches Liebeslied is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Poem: Aegyptisches Liebeslied by Carl Rütti, Cambridge Voices And Instrumental Ensemble, Ian Moore, Silja Walter having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Som hjorten törstar | Sven-Erik Bäck, Swedish Chamber Choir, Simon Phipps | D Major | 2 | 10B | 87 BPM | ||
| Father All-Holy | Basilica of the National Shrine of the Immaculate Conception Choir | A♭ Major | 2 | 4B | 88 BPM | ||
| Evening Service in B Minor, Op. 6: II. Nunc dimittis | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | A Major | 2 | 11B | 67 BPM | ||
| SMS: Lustiges | Matthias Kofmehl, Carl Rütti, Hans-Jürg Sommer | D♭ Major | 1 | 3B | 79 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Canticle of Zachariah | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | G Minor | 1 | 6A | 94 BPM | ||
| Eternal Light: A Requiem (2008): Revelation: Tum angelus tertius clanxit | Howard Goodall, Stephen Darlington, London Musici | C Minor | 1 | 5A | 94 BPM | ||
| Nunc dimittis, from Short Evening Service | Orlando Gibbons | A Major | 1 | 11B | 133 BPM | ||
| Symphony No. 4 in G Major: II. In gemächlicher Ruhe, ohne Hast | Carl Rütti, Wiener Symphoniker, Karl Rankl | F Major | 1 | 7B | 132 BPM | ||
| Ave Maria | James MacMillan, St Salvator's Chapel Choir, Sean Heath, Tom Wilkinson | B Minor | 2 | 10A | 69 BPM | ||
| All-night Vigil, Op. 37: No. 11, My Soul Magnifies the Lord | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | D Major | 0 | 10B | 132 BPM | ||
| How Beautiful Upon the Mountains | John Stainer, Christ Church Cathedral Choir of Men and Boys, Indianapolis, Frederick Burgomaster | D Major | 0 | 10B | 110 BPM | ||
| I was glad when they said unto me | Hubert Parry, Christopher Dearnley, Barry Rose | B♭ Major | 3 | 6B | 84 BPM | ||
| 3 Six-Part Choirs, Op.39: II. Abendlied | Max Reger, The Rodolfus Choir, Ralph Allwood, Ben Parry | E♭ Major | 2 | 5B | 149 BPM | ||
| Vespers: Lord now lettest Thou Thy servant depart | Vladislav Germanovich Agafonnikov, Russia Spiritual Revival Choir, Lev Kontorovich | G Major | 0 | 9B | 130 BPM | ||
| Exodus-Messe for mixed choir and organ: VII. Agnus Dei | Carl Rütti, Martin Hobi | B Major | 1 | 1B | 133 BPM | ||
| All Creatures of Our God and King | Laudate Mennonite Ensemble | E Major | 1 | 12B | 105 BPM | ||
| Audivi vocem de caelo | John Taverner, Alamire, David Skinner | D♭ Major | 2 | 3B | 136 BPM | ||
| Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
| The Secret of Christ | Richard Shephard, Jason Klein-Mendoza, All Saints' Choir, Craig Phillips | G Major | 1 | 9B | 93 BPM | ||
| Inventions for Choir: No. 2, The Duchess | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr | F Major | 2 | 7B | 89 BPM | ||
| Jam conclamamus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | B♭ Major | 3 | 6B | 97 BPM | ||
| Stanford: Magnificat In A | Manchester Cathedral Choir, Jeffrey Makinson | A Major | 1 | 11B | 48 BPM | ||
| Eternal Home | Christopher Enloe, Dan Forrest, Craig Courtney, Beckenhorst Singers | E♭ Major | 2 | 5B | 149 BPM | ||
| 23. Psalm | Sjaella | F Major | 1 | 7B | 83 BPM |