Flute Concerto: I. Amhran by Christopher Rouse, Sharon Bezaly, Royal Stockholm Philharmonic Orchestra, Alan Gilbert Song Details

Christopher Rouse, Sharon Bezaly, Royal Stockholm Philharmonic Orchestra, Alan Gilbert's 'Flute Concerto: I. Amhran' had a release date set for October 27, 2009. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Rouse, C.: Flute Concerto / Symphony No. 2 / Rapture". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Sweden. Flute Concerto: I. Amhran is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With Flute Concerto: I. Amhran by Christopher Rouse, Sharon Bezaly, Royal Stockholm Philharmonic Orchestra, Alan Gilbert having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -29.715 dB
Acousticness: 92%
Danceability: 46%
Energy: 18%
Instrumentalness: 77%
Liveness: 16%
Loudness: 50%
Speechiness: 6%
Valence: 25%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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The Human Comedy, Op. 37: Gavotte & Trio	Dmitri Shostakovich, Malmö Opera Orchestra, Mark Fitz-Gerald	F Minor	3	4A	123 BPM
Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale	Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski	C Major	1	8B	60 BPM
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Pelleas and Melisande Suite, Op. 46, JS 147: V. Pastorale	Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam	A♭ Major	0	4B	94 BPM
Flute Concerto: I. Amhrán	Christopher Rouse, Robert Langevin, Leonard Slaktin, New York Philharmonic	G Major	0	9B	68 BPM
The Planets, Op. 32: III. Mercury, the Winged Messenger	Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit	G Major	0	9B	76 BPM
Sibelius: Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro	Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra	C Major	2	8B	109 BPM
Romeo and Juliet Suite No. 2, Op. 64ter: VII. Romeo at Juliet's Grave	Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton	D Major	1	10B	104 BPM
Le sacre du printemps / Pt. 1: L'Adoration de la terre: V. Jeux des cités rivales	Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä	C Minor	3	5A	110 BPM
Grand Canyon Suite: 2. The Painted Desert	Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti	B Minor	0	10A	129 BPM
Symphony No. 1, Op. 9: III. Andante tranquillo	Samuel Barber, Leonard Slatkin, St. Louis Symphony	B♭ Major	3	6B	93 BPM
Respighi: Trittico botticelliano, P. 151: I. La Primavera	Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields	A Major	2	11B	137 BPM
Gaspard de la nuit: I. Ondine (arr. M. Constant for orchestra)	Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン	D♭ Major	0	3B	115 BPM
Rakastava, Op. 14: I. The Lover. Andante con moto	Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki	B♭ Major	0	6B	72 BPM
Images, L. 122: No. 2, Ibéria: I. Par les rues et les chemins	Claude Debussy, Royal Liverpool Philharmonic Orchestra, Domingo Hindoyan	E Minor	0	9A	78 BPM
Color Field: I. Yellow	Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop	G Major	1	9B	98 BPM