- BPM
- 73
- Key
- A♭ Major
- Camelot
- 4B
Dancing Day- Part I - Angelus Ad Virginem by John Rutter, Toronto Children's Chorus Song Details
John Rutter, Toronto Children's Chorus's 'Dancing Day- Part I - Angelus Ad Virginem' had a release date set for 1991. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 21 in Dancing Day by Toronto Children's Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Dancing Day- Part I - Angelus Ad Virginem is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Dancing Day- Part I - Angelus Ad Virginem by John Rutter, Toronto Children's Chorus is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -24.822 dB
- Acousticness
- 99%
- Danceability
- 32%
- Energy
- 6%
- Instrumentalness
- 85%
- Liveness
- 16%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 37%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Sprig of Thyme: No. 1. The bold grenadier | John Rutter, The Cambridge Singers, David Rix, Christopher Hooker, Rachel Masters, City of London Sinfonia | F Minor | 0 | 4A | 104 BPM | |
 | Dies Natalis, Op. 8 - Arr. Sheppard: 5. The Salutation - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | G Major | 1 | 9B | 112 BPM | |
 | The Dream of Gerontius, Op. 38, Pt.1: Kyrie eleison ... Holy Mary, pray for him | Edward Elgar, Sir Mark Elder, Hallé | F Minor | 0 | 4A | 59 BPM | |
 | Kapayapaan, Peace Be with You | OCP Choir, Maria R. Nieva | E Major | 2 | 12B | 85 BPM | |
 | The Moon | William Lloyd Webber, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | |
 | Hymen I | Magalí Sare, Cor Bruckner Barcelona | E♭ Major | 2 | 5B | 132 BPM | |
 | All-Night Vigil, Op. 37: XIII. The Troparion. "Today Salvation Has Come to the World" | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy | E Major | 1 | 12B | 123 BPM | |
 | Stanford: Magnificat In A | Manchester Cathedral Choir, Jeffrey Makinson | A Major | 1 | 11B | 48 BPM | |
 | To Seek Where Shadows Are: III. In The Bleak Midwinter | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 137 BPM | |
 | Requiem, Op. 9 (1961 version): Agnus Dei | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | C Major | 0 | 8B | 126 BPM | |
 | Retire My Soul | William Byrd, Stile Antico | D Minor | 1 | 7A | 58 BPM | |
 | Requiem: II. Out of the Deep | John Rutter, The Cambridge Singers, Stephen Orton, City of London Sinfonia | G Major | 1 | 9B | 71 BPM | |
 | Alkukuoro, Vuorten Ylle Aurinko on Noussut (Suuri Kalansaalis) | Oulun kamariorkesteri, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM | |
 | The Apostles, Op. 49: Prologue (The Spirit of the Lord Is upon Me) | Edward Elgar, John Rutter, Andrew Lucas, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | |
 | Requiem: IV. Sanctus | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia, Sinfonia Of London | F Major | 1 | 7B | 78 BPM | |
 | Dixit Maria ad angelum | Hans Leo Hassler, The Cambridge Singers, John Rutter | G Minor | 1 | 6A | 143 BPM | |
 | Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | |
 | Verbum caro factum est | Hans Leo Hassler, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 94 BPM | |
 | All Gifts That We Receive, Lord SHZ 251 | Laestadian Lutheran Church, Laurel Loukusa, Kaitlyn Huhta, Jake Muhonen | G Major | 1 | 9B | 148 BPM | |
 | II. Andante | John Rutter, Mary Seers, Mary Hitch, Caroline Ashton, The Cambridge Singers, John Scott, Gary Kettel, Eric Allen, The Philip Jones Brass Ensemble | A♭ Major | 0 | 4B | 75 BPM | |
 | Five Childhood Lyrics: Matthew, Mark, Luke And John | John Rutter, The Cambridge Singers | F♯ Minor | 0 | 11A | 87 BPM | |
 | A Gaelic Blessing | John Rutter, City of London Sinfonia, The Cambridge Singers | E Major | 0 | 12B | 85 BPM | |
 | Requiem: I. Requiem aeternam I | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Esmé Ellis | D Major | 0 | 10B | 83 BPM | |
 | The Dream of Gerontius, Op. 38, Pt. 1: IIb. Kyrie eleison | Edward Elgar, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | E♭ Major | 2 | 5B | 132 BPM | |
 | Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): IV. Domine Fili | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | D Major | 0 | 10B | 60 BPM |
- ISRC
- CAM239900154
- Label
- L-M Records/RCA Records