"Concerto No. 4 In E Minor For Piano And Orchestra, Allegro" by André Mathieu, Alain Lefèvre, George Hanson, Tucson Symphony Orchestra had its release date on September 30, 2008. This song appears to be safe for all ages as it is not explicit. The song is number 1 out of 11 in Andre Mathieu: Concerto No. 4, Orchestral Works by André Mathieu, Alain Lefèvre, George Hanson, Tucson Symphony Orchestra. In terms of popularity, Concerto No. 4 In E Minor For Piano And Orchestra, Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto No. 4 In E Minor For Piano And Orchestra, Allegro by André Mathieu, Alain Lefèvre, George Hanson, Tucson Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Études d'exécution transcendante, S. 139: No. 3 in F Major "Paysage" | Franz Liszt, Boris Giltburg | F Major | 0 | 7B | 88 BPM | ||
| Quintette: I. Allegro | André Mathieu, Chloé Dominguez, Andrea Tyniec, Elvira Misbakhova, Jean-Philippe Sylvestre, Marc Djokic | F♯ Major | 2 | 2B | 57 BPM | ||
| The Seasons, Op. 37a, TH 135: 6. June: Barcarolle | Pyotr Ilyich Tchaikovsky, Brigitte Engerer | G Minor | 1 | 6A | 105 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Dartington Piano Trio | D Minor | 2 | 7A | 87 BPM | ||
| Violin and piano Sonata No. 1, Op. 7: I. Melancholy - Andante Mysterioso | Fazıl Say, Julija Hartig, Reineke Broekhans | B♭ Minor | 0 | 3A | 68 BPM | ||
| Clarinet Quintet in A major, K.581 | Melos Ensemble | A Major | 1 | 11B | 120 BPM | ||
| Le Ciel Est Si Bleu | André Mathieu, Jean-Francois Lapointe, Louise-Andrée Baril | E♭ Major | 1 | 5B | 129 BPM | ||
| Nielsen: Violin Sonata No. 2 in G Minor, Op. 35: II. Molto adagio | Carl Nielsen, Leif Ove Andsnes, Christian Tetzlaff | B♭ Minor | 0 | 3A | 80 BPM | ||
| String Quartet in F Major, 2nd Movement | Maurice Ravel, vision string quartet | B♭ Minor | 0 | 3A | 68 BPM | ||
| Ballet Scenes, Lullaby | André Mathieu, Alain Lefèvre, George Hanson, Tucson Symphony Orchestra | E♭ Minor | 0 | 2A | 61 BPM | ||
| Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: II. Lento (Live) | Dmitri Shostakovich, Martha Argerich, Sergei Nakariakov, Alexander Verdernikov, Orchestra della Svizzera Italiana | C Major | 1 | 8B | 81 BPM | ||
| Grand Duet in E-Flat Minor (Version for Harp & Piano): II. Adagio | John Thomas, Duo Praxedis | E♭ Minor | 1 | 2A | 60 BPM | ||
| Les Mouettes (The Seagulls) | André Mathieu, Alain Lefèvre | C Major | 1 | 8B | 172 BPM | ||
| 18 Pieces for Piano, Op. 72: No.4 , Danse Characteristique - Duo-Art 6244 | Pyotr Ilyich Tchaikovsky, Heinrich Gebbard, Peter Phillips | D♭ Major | 2 | 3B | 110 BPM | ||
| Etudes symphoniques, Op. 13: Anhang Variation 4 | Robert Schumann, Martin Helmchen | C Major | 0 | 8B | 65 BPM | ||
| Nocturne Op. 8 No. 4 – Andante | Milenna Jovic | D Minor | 0 | 7A | 71 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Black Swan: Black Swan (after Brahms' 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major) [After Brahms' 6 Piano Pieces, Op. 118, No. 2. Intermezzo in A Major] | Bright Sheng, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 3 | 9B | 80 BPM | ||
| Piano Quartet No. 2 in G Minor, Op. 45: III. Adagio non troppo | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| 3 Romances, Op. 11: No. 2 in G Minor | Clara Schumann, Jean-Pierre Armengaud | B Minor | 0 | 10A | 70 BPM | ||
| Levitzki: The Enchanted Nymph | Mischa Levitzki, Stephen Hough | B Major | 0 | 1B | 84 BPM | ||
| Waltzes, Op. 54, B. 105: I. Waltz No. 1: Moderato | Antonín Dvořák, Cecilia String Quartet | D♭ Minor | 0 | 12A | 81 BPM | ||
| 2 Sonatinas for Piano, Op. 1 No. 1: II. Larghetto | Georgijs Osokins, Arvo Pärt | B♭ Minor | 0 | 3A | 90 BPM | ||
| Nocturne No. 6 in F Major, "Cradle Song" | John Field, Miceal O'Rourke | F Major | 1 | 7B | 96 BPM | ||
| Piano Concerto in C-Sharp Minor, Op. 45: II. Scherzo: Vivaco (Perpetuum mobile) | Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn | A Major | 2 | 11B | 99 BPM |