- BPM
- 172
- Key
- C Major
- Camelot
- 8B
Les Mouettes (The Seagulls) by André Mathieu, Alain Lefèvre Song Details
"Les Mouettes (The Seagulls)" by André Mathieu, Alain Lefèvre had its release date on November 15, 2005. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in André Mathieu, Alain Lefèvre's "Hommage À André Mathieu" album is number 8 out of 14. On top of that, United States appears to be the country where this track was created. The popularity of Les Mouettes (The Seagulls) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Les Mouettes (The Seagulls) by André Mathieu, Alain Lefèvre to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
Music Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -26.461 dB
- Acousticness
- 98%
- Danceability
- 15%
- Energy
- 14%
- Instrumentalness
- 86%
- Liveness
- 12%
- Loudness
- 56%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | |
 | Siciliano from Sonata in E-Flat Major, BWV 1031 (Arr. by Zadora) | Johann Sebastian Bach, Dai Buell | F Major | 1 | 7B | 83 BPM | |
 | 6 Album Leaves, Op. 2, JB 1:51: No. 6, Andante ma non troppo | Bedřich Smetana, Jitka Čechová | E♭ Major | 0 | 5B | 74 BPM | |
 | Capriccio In C Major, Op. 76 No.8 | Johannes Brahms, Kun-Woo Paik | C Major | 2 | 8B | 33 BPM | |
 | Solitude, Op. 73 No. 6 (Arr. Hough for Piano) | Pyotr Ilyich Tchaikovsky, Stephen Hough | A Minor | 0 | 8A | 71 BPM | |
 | Preludes Op. 23: No. 4 in D major: Andante cantabile | Sergei Rachmaninoff, Alessio Bax | A Major | 2 | 11B | 103 BPM | |
 | Nocturne, Op. 33 | Samuel Barber, Isata Kanneh-Mason | A♭ Major | 1 | 4B | 97 BPM | |
 | L'Invitation au voyage (Transc. for Cello and Piano by Camille Thomas) | Henri Duparc, Camille Thomas, Julien Libeer | A Minor | 1 | 8A | 171 BPM | |
 | Nielsen: Violin Sonata No. 2 in G Minor, Op. 35: II. Molto adagio | Carl Nielsen, Leif Ove Andsnes, Christian Tetzlaff | B♭ Minor | 0 | 3A | 80 BPM | |
 | Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IX. Das Diner | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson | F Major | 1 | 7B | 83 BPM | |
 | Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | |
 | Croquis et agaceries d'un gros bonhomme en bois: I. Tyrolienne turque | Erik Satie, Yitkin Seow | F Major | 0 | 7B | 68 BPM | |
 | Etudes symphoniques, Op. 13: Anhang Variation 4 | Robert Schumann, Martin Helmchen | C Major | 0 | 8B | 65 BPM | |
 | 18 Pieces for Piano, Op. 72: No.4 , Danse Characteristique - Duo-Art 6244 | Pyotr Ilyich Tchaikovsky, Heinrich Gebbard, Peter Phillips | D♭ Major | 2 | 3B | 110 BPM | |
 | Bach, JS / Arr. Saint-Saëns: Partita for Solo Violin No. 1 in B Minor, BWV 1002: VII. Tempo di borea | Johann Sebastian Bach, Stephen Hough | B Minor | 2 | 10A | 98 BPM | |
 | Romance in G Minor | Sergei Rachmaninoff, Quatuor Alfama | B♭ Major | 0 | 6B | 90 BPM | |
 | Piano Concerto in A Minor, Op. 54 (Intermediate Version): II. Intermezzo - Andantino grazioso | Robert Schumann, Reed Tetzloff, John Eliot Gardiner, Orchestre Philharmonique Du Luxembourg | D♭ Major | 0 | 3B | 92 BPM | |
 | Rêverie, CD 76 - Excerpt | Claude Debussy, Steven Osborne | G Major | 1 | 9B | 71 BPM | |
 | Korngold: Piano Quintet in E Major, Op. 15: II. Adagio. Mit größter Ruhe, stets äußerst gebunden und ausdrucksvoll | Erich Wolfgang Korngold, Alexander Mogilevsky, Alissa Margulis, Lucia Hall, Mark Drobinsky, Nora Romanoff-Schwarzberg | F Major | 1 | 7B | 83 BPM | |
 | Ethereal Reverie | Sebastian Verneau | D Major | 3 | 10B | 153 BPM | |
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IV. Auftritt und Tanz der Schneider | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | F Major | 1 | 7B | 83 BPM | |
 | Papillon | Ruggero Leoncavallo, Dario Müller | B♭ Major | 1 | 6B | 93 BPM | |
 | Piano Concerto in A Minor, Op. 7: III. Finale. Allegro non troppo - Allegro molto | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | F Minor | 1 | 4A | 103 BPM | |
 | Tema con Variaciones para Orquesta, Op. 2: I. Tema Andante | Julián Carrillo, Orquesta Sinfónica de San Luis Potosí, José Miramontes Zapata | D Major | 1 | 10B | 102 BPM | |
 | Concertino No. 2, Op. 13 - II. Andante | André Mathieu, Alain Lefèvre, Matthias Bamert, London Mozart Players | E♭ Minor | 0 | 2A | 105 BPM |
- ISRC
- USA370520856
- Label
- L-M Records/RCA Records