Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro's 'Silenzio cantatore' had a release date set for September 26, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 23 in the song's album "Serenata a Napoli". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Silenzio cantatore is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Silenzio cantatore by Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don Pasquale: Tornami a dir che m'ami | Gaetano Donizetti, Erin Morley, Lawrence Brownlee, Munich Radio Orchestra, Ivan Repusic | A Major | 1 | 11B | 82 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | D Major | 0 | 10B | 73 BPM | ||
| Misa Tango: II. Gloria | MartÍn Palmeri, Astoria, Philippe Gérard | C Major | 7 | 8B | 115 BPM | ||
| Donizetti: Roberto Devereux, Act 3: "Come un spirto angelico..." (Roberto, Chorus) | Gaetano Donizetti, Pene Pati, Chœur de l'Opéra National de Bordeaux, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | F Major | 0 | 7B | 69 BPM | ||
| Le carnaval des animaux, R. 125: No. 13 The Swan | Camille Saint-Saëns, Camille Thomas, Julien Brocal | D Major | 0 | 10B | 73 BPM | ||
| Dowland: Second Book of Songs or Ayres: No. 3, Sorrow, Stay | John Dowland, Thomas Dunford, Lea Desandre, Jupiter | B Minor | 1 | 10A | 68 BPM | ||
| Für mich soll’s rote Rosen regnen | Fatma Said, Les Frivolités Parisiennes, Sammy El Ghadab | B♭ Major | 1 | 6B | 83 BPM | ||
| Morgen, Op. 27, No. 4 | Richard Strauss, Barbara Bonney, Malcolm Martineau | G Major | 0 | 9B | 168 BPM | ||
| L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
| Massenet: Elégie | Jules Massenet, Philippe Jaroussky, Gautier Capuçon, Jerome Ducros | E♭ Minor | 0 | 2A | 83 BPM | ||
| Massenet: Manon, Act 3: "Je suis seul !" - "Ah ! Fuyez, douce image" (Des Grieux) | Jules Massenet, Pene Pati, Orchestre National Bordeaux Aquitaine, Emmanuel Villaume | E♭ Major | 1 | 5B | 81 BPM | ||
| Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
| L'Euridice, Scene 6: Gioite al canto mio (Arr. Pluhar) | Jacopo Peri, Rolando Villazón, L'Arpeggiata, Christina Pluhar | G Major | 4 | 9B | 141 BPM | ||
| You Take My Breath Away | Jodie Devos, Nicolas Krüger | E Minor | 0 | 9A | 78 BPM | ||
| 5 Lieder, Op. 41: No. 1, Wiegenlied (Transcr. for Mezzosoprano and Orchestra) | Richard Strauss, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | C Minor | 3 | 5A | 76 BPM | ||
| Martha: M'apparì tutt'amor | Friedrich von Flotow, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | B Minor | 2 | 10A | 89 BPM | ||
| Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
| Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
| Shest' romansov (Six Romances), Op.63 - Arr. Hazell: Serenada | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | G Major | 2 | 9B | 65 BPM | ||
| Ave Maria | Maria Callas | D♭ Major | 2 | 3B | 126 BPM | ||
| La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
| Barcarolle: Belle nuit, ô nuit d’amour (Les Contes d’Hoffmann) | Jacques Offenbach, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo | D Major | 1 | 10B | 129 BPM | ||
| Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
| Offenbach: Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour" (Version for Two Trumpets & Orchestra) | Jacques Offenbach, Lucienne Renaudin Vary, Erik Truffaz, Roberto Rizzi Brignoli, Orchestre National de Lille | D Major | 1 | 10B | 84 BPM | ||
| Vivaldi: Il Giustino, RV 717, Act 1: "Vedrò con mio diletto" (Anastasio) | Antonio Vivaldi, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E♭ Major | 1 | 5B | 94 BPM |