"Robin Hood, Act III Scene 1: Entr'acte" by George Macfarren, Nicky Spence, George Hulbert, Louis Hurst, Andrew Mackenzie-Wicks, John Molloy, Alex Knox, Kay Jordan, Magdalen Ashman, John Powell Singers, Victorian Opera Chorus, Victorian Opera Orchestra, Ronald Corp had its release date on October 4, 2011. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Macfarren, Ronald Corp, Victorian Opera Orchestra's "Macfarren: Robin Hood" album is number 7 out of 33. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Robin Hood, Act III Scene 1: Entr'acte's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Robin Hood, Act III Scene 1: Entr'acte by George Macfarren, Nicky Spence, George Hulbert, Louis Hurst, Andrew Mackenzie-Wicks, John Molloy, Alex Knox, Kay Jordan, Magdalen Ashman, John Powell Singers, Victorian Opera Chorus, Victorian Opera Orchestra, Ronald Corp to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nunc Dimittis in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 0 | 6B | 135 BPM | ||
| Evening Service in B Minor, Op. 6: I. Magnificat | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | E Minor | 2 | 9A | 76 BPM | ||
| Messe Solennelle: Kyrie | Louis Vierne, The Choir of Canterbury Cathedral, David Flood | F Major | 1 | 7B | 170 BPM | ||
| Statio quadruplex pro Processione Theophorica, ZWV158: Misericordia tua, Domine | Jan Dismas Zelenka, Adam Viktora, Ensemble Inégal | A Major | 3 | 11B | 108 BPM | ||
| Who Is He in Yonder Stall? | Robert H. Young, University of Northern Iowa Concert Chorale, Jenna Klein, John Len Wiles | G Major | 0 | 9B | 121 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 2: IXb-d. There Was a Mortal Praise – Praise to the Holiest in the Height – Glory to Him | Edward Elgar, Karen Cargill, David Butt Philip, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | C Minor | 1 | 5A | 137 BPM | ||
| Tippett: Five Negro Spirituals (from A Child of Our Time) - Steal Away | The Chapel Choir of Pembroke College, Cambridge | G Major | 1 | 9B | 59 BPM | ||
| Glow | Eric Whitacre, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta, Paweł Wajrak, Katarzyna Łukawska, Tomasz Sobaniec | G Major | 0 | 9B | 79 BPM | ||
| Come, Risen Lord | Leo Sowerby, William Ferris Chorale, William Ferris | B♭ Major | 2 | 6B | 65 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | C Minor | 1 | 5A | 137 BPM | ||
| Incipit oratio Jeremiae prophetae: III. Pupilli facti sumus | Dominique Phinot, El León de Oro, Peter Phillips | G Major | 1 | 9B | 89 BPM | ||
| 2 Songs: No. 2, Pack Clouds Away | George Macfarren, Elaine Barry, Colin Bradbury, Oliver Davies | A Major | 1 | 11B | 69 BPM | ||
| She Stoops to Conquer: Overture | George Macfarren, Victorian Opera Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 117 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| My God, How Endless | Lyle Stutzman, Tapestry Chamber Singers | A Minor | 2 | 8A | 95 BPM | ||
| Lassus : "Ove d'altra montagna ombra non tocchi" | Orlande de Lassus, Wolfgang Helbich & Alsfeld Vocal Ensemble, Wolfgang Helbich | E♭ Major | 0 | 5B | 86 BPM | ||
| The Joy of Love | The Choir of All Saints' Episcopal Church | E Minor | 1 | 9A | 76 BPM | ||
| St. John Passion, Part I: Hymn: It Is A Thing Most Wonderful | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Jonathan Vaughn, Wells Cathedral Oratorio Society, Wells Cathedral Voluntary Choir, Matthew Owens | C Major | 3 | 8B | 104 BPM | ||
| Mun kotini taivaassa ihana on (SL 260a) | Seuralaulu, SRK:n kuoro, SRK:n orkesteri, Juha Paukkeri | G Major | 1 | 9B | 171 BPM | ||
| The Passing of the Year: No. 2, The narrow bud opens her beauties to the sun | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | F♯ Minor | 0 | 11A | 138 BPM | ||
| Snow Angel (Live) | Sarah Quartel, Halifax Camerata Singers, Hilary Brown, Jeff Joudrey, Lynette Wahlstrom | C Minor | 2 | 5A | 178 BPM | ||
| Amen | Laestadian Lutheran Church, Anna-Kaisa Roiko | G Major | 1 | 9B | 148 BPM | ||
| The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | C Minor | 1 | 5A | 137 BPM | ||
| Evening Service in G Minor, Z. 231: I. Magnificat | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
| Before the Marvel of This Night | Concordia Publishing House | E♭ Major | 1 | 5B | 90 BPM |