"Come With Me" by Martin Todsharow had its release date on August 22, 2025. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 27 in Fall For Me (Soundtrack from the Netflix Film) by Martin Todsharow. The popularity of Come With Me is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Come With Me by Martin Todsharow is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Fields at Home | Francis Wells | F♯ Major | 2 | 2B | 180 BPM | ||
| Lie To Me | Martin Todsharow | F Major | 1 | 7B | 75 BPM | ||
| Responsiblity | Dirk Reichardt, Mirko Schaffer | C Major | 5 | 8B | 76 BPM | ||
| Peregrine (End Credits) | Chris Roe | D♭ Minor | 4 | 12A | 89 BPM | ||
| Sommersturm | Niki Reiser | E Minor | 0 | 9A | 94 BPM | ||
| Ember | Tony Anderson | G Minor | 2 | 6A | 108 BPM | ||
| Letter Box (from "Snow Flower and the Secret Fan", Arr. for Piano & Cello) | Rachel Portman, Raphaela Gromes | D Minor | 0 | 7A | 124 BPM | ||
| Blue Shades | Martin Todsharow | B♭ Major | 1 | 6B | 72 BPM | ||
| Into the Cave | Antonio Pinto | B Major | 1 | 1B | 80 BPM | ||
| César et Arthur | Jérôme Rebotier | B♭ Major | 1 | 6B | 156 BPM | ||
| Brooks | Kai Engel | A♭ Major | 2 | 4B | 132 BPM | ||
| Far From Light | Espen Fahlen | D♭ Minor | 2 | 12A | 147 BPM | ||
| Journey To Uppercross | Stuart Earl | E Minor | 2 | 9A | 80 BPM | ||
| Journey to Denmark | Nicklas Schmidt, Budapest Art Orchestra, Peter Pejtsik, Attila Pintér | G Minor | 3 | 6A | 103 BPM | ||
| Arrival of Tomorrow | Christoffer Franzen | B Minor | 4 | 10A | 115 BPM | ||
| Lectures | Martin Todsharow | G Major | 2 | 9B | 140 BPM | ||
| Reunited | David Buckley | G Major | 2 | 9B | 86 BPM | ||
| Sleepless | One Hundred Years | F Major | 2 | 7B | 100 BPM | ||
| Snow in the Night Air – time is passing softly | Mango LOFI | B♭ Major | 1 | 6B | 100 BPM | ||
| Imogen and Agreus | Nathan Barr, Harry Risoleo | A♭ Major | 2 | 4B | 80 BPM | ||
| Slomairlines (Bande Originale) | Jack Bartman | E♭ Major | 1 | 5B | 66 BPM | ||
| Early Morning Dew | Moritz Bintig, Joachim Tospann | E Major | 3 | 12B | 76 BPM | ||
| B. Blood | Philip Ekström | F♯ Major | 1 | 2B | 94 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Soul Inside | Antonio Pinto | D♭ Minor | 3 | 12A | 88 BPM |