Pierre Rode, Axel Strauss's ' "24 caprices en formes d'etudes: No. 1 in C Major" was released on its scheduled release date, December 15, 2009. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Rode, P.: 24 Caprices for Solo Violin". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, 24 caprices en formes d'etudes: No. 1 in C Major's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 24 caprices en formes d'etudes: No. 1 in C Major by Pierre Rode, Axel Strauss having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E♭ Major | 4 | 5B | 91 BPM | ||
| From Jewish Folk Poetry, Op. 79: VII. The Song of Misery (Arr. for Cello and String Orchestra) | Dmitri Shostakovich, Sol Gabetta, Amsterdam Sinfonietta, Candida Thompson | A Minor | 3 | 8A | 132 BPM | ||
| 24 Caprices en formes d'etudes: No. 1 in C Major | Pierre Rode, Elizabeth Wallfisch | C Major | 2 | 8B | 151 BPM | ||
| Violin Concerto No. 2 in E Major, Op. 9: II. Siciliano | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | E Major | 0 | 12B | 68 BPM | ||
| IV. Allʼungarese. Allegretto moderato | Franz Danzi, Anna Kaiser, Lorenzo Gabriele, Johannes Berger | C Minor | 3 | 5A | 114 BPM | ||
| Ravel: Violin Sonata No. 2 in G Major, M. 77: I. Allegretto | Maurice Ravel, Renaud Capuçon, Frank Braley | G Major | 0 | 9B | 124 BPM | ||
| Impressions d'enfance, Op. 28: No. 10, Lever de soleil | George Enescu, Axel Strauss, Ilya Poletaev | C Major | 2 | 8B | 151 BPM | ||
| Elfentanz | Randall Goosby, Zhu Wang | D Major | 1 | 10B | 75 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: II. Fugato | Eugène Ysaÿe, Hilary Hahn | G Minor | 2 | 6A | 101 BPM | ||
| Violin Concerto No. 12 in E Major, Op. 27: I. Allegro brillante | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | E Major | 3 | 12B | 138 BPM | ||
| Violin Concerto No. 9 in A Minor, Op. 104: III. Rondo. Allegretto moderato | Charles-Auguste de Bériot, Takako Nishizaki, RTBF Symphony Orchestra, Alfred Walter | A Major | 1 | 11B | 84 BPM | ||
| Piano Quartet in A Minor, Op. 1: II. Adagio | Josef Suk, Karel Untermüller, Jiří Bárta, Jan Simon | F Major | 1 | 7B | 182 BPM | ||
| 8 Pieces, Op. 39: No. 4, Canzonetta | Reinhold Glière, Felix Froschhammer, Florian Rohn | B♭ Major | 2 | 6B | 121 BPM | ||
| Cello concerto in D major, K. 285 d: II. Adagio | Wolfgang Amadeus Mozart, Matt Haimovitz, Stefan Sanderling, Orchestre de Bretagne | F♯ Minor | 0 | 11A | 172 BPM | ||
| Allegretto grazioso | Nicola Porpora, Mela Tenenbaum, Richard Kapp | D Major | 1 | 10B | 156 BPM | ||
| Song Without Words No. 7 | Heath Olean, Yaroslav Medvedev-Taraldset | G Minor | 2 | 6A | 169 BPM | ||
| Adagio pour violon et orgue | André Caplet, Chouchane Siranossian, François Saint-Yves | C Major | 1 | 8B | 53 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 6 in G Minor | Niccolò Paganini, Augustin Hadelich | G Minor | 1 | 6A | 93 BPM | ||
| 24 caprices en formes d'etudes: No. 9 in E Major | Pierre Rode, Axel Strauss | B Major | 2 | 1B | 82 BPM | ||
| Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Alexander Markov, Lawrence Renes, Monte-Carlo Philharmonic Orchestra | B♭ Major | 1 | 6B | 98 BPM | ||
| Cello Concerto in E Minor, RV 409: I. Adagio - Allegro | Jiaxin Lloyd Webber, Julian Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 1 | 6A | 108 BPM | ||
| Chacony in G Minor Z 730 | Henry Purcell, Emerson String Quartet | E Major | 0 | 12B | 93 BPM | ||
| Sonata for Piano and Violin No. 3 in G Minor, Op. Posth. 137, D. 408: II. Andante | Franz Schubert, David Grimal, Valery Afanassiev | E♭ Major | 0 | 5B | 89 BPM | ||
| Piano Trio in G: IV. Finale (Appassionato) | Claude Debussy, Trio Parnassus | E Minor | 0 | 9A | 177 BPM | ||
| Haydn: String Quartet in D Minor, Op. 76 No. 2, Hob. III:76 "Fifths": III. Menuetto | Joseph Haydn, Quatuor Arod | C Minor | 2 | 5A | 82 BPM |