Pierre Rode, Elizabeth Wallfisch's ' "24 Caprices en formes d'etudes: No. 1 in C Major" was released on its scheduled release date, May 19, 2010. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Rode: 24 Caprices en formes d'etudes". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, 24 Caprices en formes d'etudes: No. 1 in C Major's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With 24 Caprices en formes d'etudes: No. 1 in C Major by Pierre Rode, Elizabeth Wallfisch having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
| Cello concerto in D major, K. 285 d: II. Adagio | Wolfgang Amadeus Mozart, Matt Haimovitz, Stefan Sanderling, Orchestre de Bretagne | F♯ Minor | 0 | 11A | 172 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: IV. Finale con brio | Eugène Ysaÿe, Hilary Hahn | G Major | 1 | 9B | 97 BPM | ||
| Adagio pour violon et orgue | André Caplet, Chouchane Siranossian, François Saint-Yves | C Major | 1 | 8B | 53 BPM | ||
| Romanian Folk Dances (arr. for Violin & Piano): IV. Molto moderato | Béla Bartók, Ensemble Villa Musica | D Minor | 0 | 7A | 77 BPM | ||
| Violin Concerto No. 3 in G Major, K. 216: I. Allegro | Wolfgang Amadeus Mozart, Arabella Steinbacher, Festival Strings Lucerne (musical direction), Lucerne Festival Strings, Daniel Dodds | G Major | 1 | 9B | 119 BPM | ||
| 3 Romances, Op. 22: No. 1, Andante molto | Clara Schumann, Fabio Biondi, Luigi Di Llio | B♭ Major | 1 | 6B | 77 BPM | ||
| Fallen Angel: V. Violin Cadenza | Mateusz Smoczyński | B Minor | 1 | 10A | 88 BPM | ||
| Albumblätter, Op. 39: No. 1, Moderato | Hans Sitt, Danae Dörken, Adrien La Marca | C Major | 1 | 8B | 61 BPM | ||
| Moses Fantasy | Niccolò Paganini, Nemanja Radulović | C Major | 1 | 8B | 100 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 5 in G Major: II. Danse rustique | Eugène Ysaÿe, Hilary Hahn | E Minor | 1 | 9A | 80 BPM | ||
| 24 caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | ||
| Sarasate: Introduction et Tarantelle, Op. 43 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | G Major | 2 | 9B | 117 BPM | ||
| 24 caprices en formes d'etudes: No. 8 in F-Sharp Minor | Pierre Rode, Axel Strauss | F♯ Minor | 3 | 11A | 83 BPM | ||
| Accolay: Violin Concerto No. 1 in A Minor | Jean Baptist Accolay, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Minor | 2 | 8A | 97 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 21 in A Major | Niccolò Paganini, Augustin Hadelich | A Major | 1 | 11B | 94 BPM | ||
| Novacek: 8 Concert Caprices for Violin and Piano, Op. 5: IV. Perpetuum mobile in D Minor (Vivace non troppo) | Ottokar Novácek, Itzhak Perlman, Samuel Sanders | D Minor | 4 | 7A | 179 BPM | ||
| 24 caprices en formes d'etudes: No. 9 in E Major | Pierre Rode, Axel Strauss | B Major | 2 | 1B | 82 BPM | ||
| Violin Sonata No. 3 in D Minor, Op. 108: Un poco presto e con sentimento | Johannes Brahms, Ilya Kaler, Alexander Peskanov | D Minor | 1 | 7A | 100 BPM | ||
| Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
| Paganini: Moto Perpetuo, Op. 11 No. 6 | Niccolò Paganini, Julie Berthollet, Mathieu Herzog, Ensemble Appassionato | C Major | 4 | 8B | 159 BPM | ||
| Ernst: Grand Caprice, Op. 26 (After Schubert's "Der Erlkönig", D. 328) | Heinrich Wilhelm Ernst, Vilde Frang | G Minor | 3 | 6A | 97 BPM | ||
| Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
| 24 caprices en formes d'etudes: No. 23 in F Major | Pierre Rode, Axel Strauss | C Major | 1 | 8B | 112 BPM | ||
| Spanish Dances, Op. 21: No. 2, Habañera | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | A Minor | 2 | 8A | 93 BPM |