Pierre Rode, Axel Strauss's '24 caprices en formes d'etudes: No. 23 in F Major' had a release date set for December 15, 2009. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. 24 caprices en formes d'etudes: No. 23 in F Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Rode, P.: 24 Caprices for Solo Violin". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, 24 caprices en formes d'etudes: No. 23 in F Major is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 caprices en formes d'etudes: No. 23 in F Major by Pierre Rode, Axel Strauss having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Sonata No. 2 in G Major, Op. 13: II. Allegretto tranquillo | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | ||
| String Quartet No. 1 in E Flat Major, Op. 12, MWV R 25: IV. Molto allegro e vivace | Felix Mendelssohn, Emerson String Quartet | G Major | 0 | 9B | 75 BPM | ||
| Romance in C Major, Op. 48 | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 1 | 8B | 101 BPM | ||
| Violin Concerto No. 1 in D Minor, Op. 3: III. Polonaise | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | D Minor | 3 | 7A | 124 BPM | ||
| Sonata No. 2 for Solo Violin in A Minor, BWV 1003: IV. Allegro | Johann Sebastian Bach, Hilary Hahn | A Minor | 2 | 8A | 83 BPM | ||
| Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": IV. Presto | Franz Schubert, Quatuor Arod | D♭ Major | 1 | 3B | 149 BPM | ||
| Paganini: Cantabile in D Major, Op. 17 | Niccolò Paganini, Alexander Markov, Eduardo Fernandez | D Major | 1 | 10B | 92 BPM | ||
| Violin Concerto No. 7 in A Minor, Op. 9: II. Adagio | Pierre Rode, Friedemann Eichhorn, SWR Rundfunkorchester Kaiserslautern, Nicolás Pasquet | G Major | 1 | 9B | 104 BPM | ||
| Concert Polonaise, Op. 14 | David Popper, 欧阳娜娜, 江天霖 | B♭ Major | 1 | 6B | 93 BPM | ||
| Halvorsen: Passacaglia (After Handel's Keyboard Suite, HWV 432) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 2 | 6A | 109 BPM | ||
| Cantabile In D Major | Niccolò Paganini, Sarah Chang, Charles Abramovic | A Major | 2 | 11B | 63 BPM | ||
| 3 Romances sans paroles, Op. 7: 2. Désespoir | Henri Vieuxtemps, Janine Jansen, Antonio Pappano | A♭ Major | 5 | 4B | 100 BPM | ||
| 2 Songs for My Kids (Version for Cello & String Orchestra): No. 2, Natalie's Waltz | Alexey Shor, Dmitry Yablonsky, Kyiv Virtuosi, Sergey Smbatyan | E Minor | 2 | 9A | 96 BPM | ||
| Symphonie Espagnole in D Minor, Op. 21: I. Allegro non troppo | Arthur Grumiaux | B♭ Major | 1 | 6B | 76 BPM | ||
| Concerto For Violin and Orchestra No. 5 in A minor Op. 37 Allegro con fuoco | Henri Vieuxtemps, Sarah Chang, Philharmonia Orchestra, Charles Dutoit | A Minor | 4 | 8A | 138 BPM | ||
| Rieding: Violin Concerto in B Minor, Op. 35: III. Allegro moderato | Oskar Rieding, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | B Minor | 1 | 10A | 145 BPM | ||
| 24 Caprices en formes d'etudes: No. 22 in G Minor | Pierre Rode, Elizabeth Wallfisch | F♯ Minor | 2 | 11A | 75 BPM | ||
| Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM | ||
| Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM | ||
| Praeludium and Allegro (In the Style of Pugnani) - Instrumental | Midori, Robert McDonald | E Minor | 1 | 9A | 84 BPM | ||
| Symphonie espagnole, Op. 21: V. Rondo | Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 109 BPM | ||
| 24 Caprices for Solo Violin, Op. 22: No. 6 in B Minor. Adagio - Moderato | Pierre Rode, Roksana Kwaśnikowska | C Major | 1 | 8B | 123 BPM | ||
| Duet for 2 Violins in D Major, Op. 67, No. 2: I. Allegro | Louis Spohr, Heinz Schunk, Ulrike Petersen | A Major | 1 | 11B | 123 BPM | ||
| 24 caprices en formes d'etudes: No. 9 in E Major | Pierre Rode, Axel Strauss | B Major | 2 | 1B | 82 BPM | ||
| Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Hariolf Schlichtig, Munich Chamber Orchestra | D Major | 1 | 10B | 129 BPM |